Under the Deodars

Rudyard Kipling

មករា 1888 · Binker North

សៀវភៅអេឡិចត្រូនិច

106

ទំព័រ

ការវាយតម្លៃ និងមតិវាយតម្លៃមិនត្រូវបានផ្ទៀងផ្ទាត់ទេ ស្វែងយល់បន្ថែម

អំពីសៀវភៅអេឡិចត្រូនិកនេះ

Under the Deodars is a classic short story collection by Rudyard Kipling which examines the British occupation of India with the following titles: The education of Otis Yeere -- At the pit's mouth -- A wayside comedy -- The hill of illusion -- A second-rate woman -- Only a subalter -- In the matter of a private -- The enlightenments of Pagett, M.P

អំពីអ្នកនិពន្ធ

Joseph Rudyard Kipling (30 December 1865 - 18 January 1936)[1] was an English journalist, short-story writer, poet, and novelist. He was born in India, which inspired much of his work. Kipling's works of fiction include The Jungle Book (1894), Kim (1901), and many short stories, including The Man Who Would Be King (1888).[2] His poems include Mandalay (1890), Gunga Din (1890), The Gods of the Copybook Headings (1919), The White Man's Burden (1899), and If- (1910). He is regarded as a major innovator in the art of the short story;[3] his children's books are classics of children's literature, and one critic described his work as exhibiting a versatile and luminous narrative gift. Kipling was one of the most popular writers in the United Kingdom, in both prose and verse, in the late 19th and early 20th centuries.[3]Henry James said: Kipling strikes me personally as the most complete man of genius, as distinct from fine intelligence, that I have ever known.[3] In 1907, at the age of 41, he was awarded the Nobel Prize in Literature, making him the first English-language writer to receive the prize and its youngest recipient to date.[6] He was also sounded out for the British Poet Laureateship and on several occasions for a knighthood, both of which he declined.[7] Kipling's subsequent reputation has changed according to the political and social climate of the age[8][9] and the resulting contrasting views about him continued for much of the 20th century.[10][11] George Orwell saw Kipling as a jingo imperialist, who was morally insensitive and aesthetically disgusting.[12] Literary critic Douglas Kerr wrote: [Kipling] is still an author who can inspire passionate disagreement and his place in literary and cultural history is far from settled. But as the age of the European empires recedes, he is recognised as an incomparable, if controversial, interpreter of how empire was experienced. That, and an increasing recognition of his extraordinary narrative gifts, make him a force to be reckoned with.

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