Two on a Tower Part 1

· 문학일독
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Izilinganiso nezibuyekezo aziqinisekisiwe  Funda Kabanzi

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The story begins with Lady Viviette Constantine, a lonely aristocratic woman, and Swithin St. Cleeve, a young and passionate astronomer. Viviette, feeling isolated in her rigid social world, finds solace in Swithin’s company as they bond over astronomy. Despite their age gap and social differences, a deep and genuine love develops between them. However, Viviette is already married to a man who has been absent for years, creating moral and societal complications. Their secret meetings at the tower, where Swithin conducts his celestial observations, symbolize their forbidden yet pure love. As their feelings intensify, Viviette becomes increasingly anxious about society’s judgment and her uncertain future. Meanwhile, Swithin, young and idealistic, is unaware of the full weight of their predicament. This part sets up the novel’s central conflicts—love versus duty, passion versus social expectations.

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Thomas Hardy (1840–1928) was an English novelist and poet, widely recognized as a leading figure in realism and naturalism. Through works such as Tess of the d’Urbervilles and Jude the Obscure, he explored themes of moral hypocrisy and the inescapable fate of individuals within society. His novels are primarily set in the fictional region of Wessex, portraying characters who struggle against societal constraints and cruel destiny. Initially trained as an architect, Hardy later devoted himself to literature, emphasizing the tragic nature of human existence. His works, including Far from the Madding Crowd, vividly depict the relationship between nature and human life, leaving a lasting impression on readers with their emotional depth. However, following the controversy surrounding Jude the Obscure, Hardy ceased writing novels and turned to poetry. As a poet, he reflected on human fate and the changes of the era, infusing his works with philosophical contemplation. His literature continues to influence modern writers and holds a significant place in English literary history.

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