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British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language This 1909 collection shows off Chesterton's talent as a master of short-form prose. These "fleeting sketches," which originally appeared the London newspaper Daily News, describe the most ordinary of events and observations, but through Chesterton's eye, they take on profound new meaning. He explores: . the secret of a train . an extraordinary cabman . the advantages of having one leg . on lying in bed . what he found in his pocket . an orthodox barber . some policemen and a moral . little birds who won't sing . and much more.
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Gilbert Keith Chesterton was born in London, England, in 1874. He began his education at St Paul's School, and later went on to study art at the Slade School, and literature at University College in London. Chesterton wrote a great deal of poetry, as well as works of social and literary criticism. Among his most notable books are The Man Who Was Thursday, a metaphysical thriller, and The Everlasting Man, a history of humankind's spiritual progress. After Chesterton converted to Catholicism in 1922, he wrote mainly on religious topics. Chesterton is most known for creating the famous priest-detective character Father Brown, who first appeared in "The Innocence of Father Brown." Chesterton died in 1936 at the age of 62.
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