This collection of essays embarks on a comprehensive study using studio archives, director's commentary, and critical analysis to uncover the motivations behind rewritten conclusions. The book analyzes films across genres and eras, presenting insightful case studies that illustrate the creative and commercial pressures at play.
Beginning with an introduction to the concept of alternate endings, the book progresses through detailed examples, analyzing films where studio interference, test audience reactions, or director choices led to different conclusions, offering a fresh perspective on film studies and cultural history.