The Philosophy of Michael Mann

Steven Sanders · Aeon J. Skoble · R. Barton Palmer

Abr 2014 · University Press of Kentucky

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Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works—Ali (2001), Miami Vice (2006), and Public Enemies (2009).

The Philosophy of Michael Mann provides an up-to-date and comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.

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Steven M. Sanders is emeritus erofessor of ehilosophy at Bridgewater State University. He is the editor of The Philosophy of Science Fiction Film and the coeditor of The Philosophy of TV Noir. Aeon J. Skoble is professor of philosophy at Bridgewater State University and a senior fellow at the Fraser Institute. He is the author or editor of numerous books, including Deleting the State: An Argument about Government and Reading Rasmussen and Den Uyl: Critical Essays on Norms of Liberty. R. Barton Palmer is the Calhoun Lemon Professor of Literature at Clemson University, where he also directs the film studies program. He is the coeditor of The Philosophy of Steven Soderbergh.

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