The Essential HBO Reader

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· University Press of Kentucky
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Essays on the history of HBO, a company designed to please audiences instead of advertisers, and the impact of its distinctive programming: “Recommended.” —Choice

The founding of Home Box Office in the early 1970s—when it debuted by telecasting a Paul Newman movie and an NHL game to 365 households in Wilkes-Barre, Pennsylvania—was a harbinger of the innovations that would transform television as an industry and a technology in the decades that followed. HBO quickly became synonymous with subscription television—and the leading force in cable programming.

Over decades, it’s grown from a domestic movie channel to an international powerhouse with a presence in over seventy countries. It is now a full-service content provider with a distinctive brand of original programming, famed for such landmark shows as The Sopranos and Sex and the City. It’s brought us Six Feet Under and The Wire, Band of Brothers and Angels in America, Curb Your Enthusiasm and Def Comedy Jam, Inside the NFL and Real Sports with Bryant Gumbel, Taxicab Confessions and Autopsy, and multiple Oscar-winning documentaries.

The Essential HBO Reader brings together an accomplished group of scholars to explain how HBO’s programming transformed the world of television and popular culture, and provides a comprehensive and compelling examination of HBO’s development into the prototypical entertainment corporation of the twenty-first century.

“An important assessment of the original programming HBO has created in the past few decades?how these programs are derived and what impact they have had.” —Choice

“A thorough treatment of HBO’s programming . . . a useful addition to a growing number of books about American television in the ‘post-network’ era.” —American Studies

O autoru

Gary R. Edgerton, professor and chair of the communication and theatre arts department at Old Dominion University, has published eight books, includingThinking Outside the Box: A Contemporary Television Genre Reader, numerous book chapters and journal articles, and is coeditor of theJournal of Popular Film and Television. Jeffrey P. Jones, author ofEntertaining Politics: New Political Television and Civic Culture, is associate professor of communication and theatre arts at Old Dominion University.

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