The Custom of the Country
Hun 2012 · Vintage
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Edith Wharton’s lacerating satire on marriage and materialism in turn-of-the-century New York features her most selfish, ruthless, and irresistibly outrageous female character.
Undine Spragg is an exquisitely beautiful but ferociously acquisitive young woman from the Midwest who comes to New York to seek her fortune. She achieves her social ambitions—but only at the highest cost to her family, her admirers, and her several husbands. Wharton lavished on Undine an imaginative energy that suggests she was as fascinated as she was appalled by the alluring monster she had created. It is the complexity of her attitude that makes The Custom of the Country—with its rich social and emotional detail and its headlong narrative power—one of the most fully realized and resonant of her works.
Undine Spragg is an exquisitely beautiful but ferociously acquisitive young woman from the Midwest who comes to New York to seek her fortune. She achieves her social ambitions—but only at the highest cost to her family, her admirers, and her several husbands. Wharton lavished on Undine an imaginative energy that suggests she was as fascinated as she was appalled by the alluring monster she had created. It is the complexity of her attitude that makes The Custom of the Country—with its rich social and emotional detail and its headlong narrative power—one of the most fully realized and resonant of her works.
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Edith Wharton (1862–1937) was born into the upper echelons of New York society. She began writing in 1887, but it was the 1905 publication of her second novel, The House of Mirth, that made her famous. Over the course of her career, Wharton became a bestselling author, worked as a reporter at the French front during World War I (receiving the Cross of the Legion of Honor as a result), and won the Pulitzer Prize.
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