The Common Reader: Volume 1
āļĄ.āļ. 2021 · Open Road Media
eBook
315
āļŦāļāđāļē
family_home
āļĄāļĩāļŠāļīāļāļāļīāđ
info
reportāļāļ°āđāļāļāđāļĨāļ°āļĢāļĩāļ§āļīāļ§āđāļĄāđāđāļāđāļĢāļąāļāļāļēāļĢāļāļĢāļ§āļāļŠāļāļāļĒāļ·āļāļĒāļąāļ Â āļāļđāļāđāļāļĄāļđāļĨāđāļāļīāđāļĄāđāļāļīāļĄ
āđāļāļĩāđāļĒāļ§āļāļąāļ eBook āđāļĨāđāļĄāļāļĩāđ
A collection of essays from the acclaimed author of Mrs. Dalloway on such subjects as Jane Austen, Geoffrey Chaucer, and her own literary philosophy.
Â
A good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in not out.
Â
Not written for scholars or critics, these essays are a collection of Virginia Woolfâs everyday thoughts about literature and the worldâand the art of reading for pleasure. That many of them previously appeared in such publications as the Nation, Vogue, and the Yale Review points to their widespread appeal. Still, her brilliant powers of observation and insatiable curiosity shine through . . .
Â
âAfter all, Mrs. Woolf is no common reader, try as she may to be one. Her powers of coordination and logical inference are altogether too strong and capable. No common reader would kick the over-praised Robinson Crusoe overboard to float in seas of adolescent adoration for Moll Flanders, as she does. It would take an uncommon common reader to discourse as pithily on Elizabethan drama or the furiously literary Duchess of Newcastle. No idle peruser of the printed page would meditate so beautifully on Greek letters. And when we come to those essays, âModern Fictionâ and âHow It Strikes a Contemporary,â a note that is altogether professional and the result of intensive study and theorizing is to be discerned.â âThe New York Times
Â
âWoolfâs provocative collection of essays, reviews and flights of literary imagination assesses both the famous and the obscure.â âThe Times (London)
Â
A good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in not out.
Â
Not written for scholars or critics, these essays are a collection of Virginia Woolfâs everyday thoughts about literature and the worldâand the art of reading for pleasure. That many of them previously appeared in such publications as the Nation, Vogue, and the Yale Review points to their widespread appeal. Still, her brilliant powers of observation and insatiable curiosity shine through . . .
Â
âAfter all, Mrs. Woolf is no common reader, try as she may to be one. Her powers of coordination and logical inference are altogether too strong and capable. No common reader would kick the over-praised Robinson Crusoe overboard to float in seas of adolescent adoration for Moll Flanders, as she does. It would take an uncommon common reader to discourse as pithily on Elizabethan drama or the furiously literary Duchess of Newcastle. No idle peruser of the printed page would meditate so beautifully on Greek letters. And when we come to those essays, âModern Fictionâ and âHow It Strikes a Contemporary,â a note that is altogether professional and the result of intensive study and theorizing is to be discerned.â âThe New York Times
Â
âWoolfâs provocative collection of essays, reviews and flights of literary imagination assesses both the famous and the obscure.â âThe Times (London)
āđāļāļĩāđāļĒāļ§āļāļąāļāļāļđāđāđāļāđāļ
Virginia Woolf (1882â1941), an English modernist, has been heralded as one of the greatest female writers of all time. In 1915, she published her first novel, The Voyage Out, which became known for its peculiar narrative perspectives and free-association prose. She followed this up with several famous novels such as Mrs. Dalloway and Jacobâs Room, as well as the feminist essay A Room of Oneâs Own. Woolf suffered from depression and committed suicide in 1941.
āđāļŦāđāļāļ°āđāļāļ eBook āļāļĩāđ
āđāļŠāļāļāļāļ§āļēāļĄāđāļŦāđāļāļāļāļāļāļļāļāđāļŦāđāđāļĢāļēāļĢāļąāļāļĢāļđāđ
āļāđāļāļĄāļđāļĨāđāļāļāļēāļĢāļāđāļēāļ
āļŠāļĄāļēāļĢāđāļāđāļāļāđāļĨāļ°āđāļāđāļāđāļĨāđāļ
āļāļīāļāļāļąāđāļāđāļāļ Google Play Books āļŠāļģāļŦāļĢāļąāļ Android āđāļĨāļ° iPad/iPhone āđāļāļāļāļ°āļāļīāļāļāđāđāļāļĒāļāļąāļāđāļāļĄāļąāļāļīāļāļąāļāļāļąāļāļāļĩāļāļāļāļāļļāļ āđāļĨāļ°āļāđāļ§āļĒāđāļŦāđāļāļļāļāļāđāļēāļāđāļāļāļāļāļāđāļĨāļāđāļŦāļĢāļ·āļāļāļāļāđāļĨāļāđāđāļāđāļāļļāļāļāļĩāđ
āđāļĨāđāļāļāđāļāļāđāļĨāļ°āļāļāļĄāļāļīāļ§āđāļāļāļĢāđ
āļāļļāļāļāļąāļāļŦāļāļąāļāļŠāļ·āļāđāļŠāļĩāļĒāļāļāļĩāđāļāļ·āđāļāļāļēāļ Google Play āđāļāļĒāđāļāđāđāļ§āđāļāđāļāļĢāļēāļ§āđāđāļāļāļĢāđāđāļāļāļāļĄāļāļīāļ§āđāļāļāļĢāđāđāļāđ
eReader āđāļĨāļ°āļāļļāļāļāļĢāļāđāļāļ·āđāļāđ
āļŦāļēāļāļāđāļāļāļāļēāļĢāļāđāļēāļāļāļāļāļļāļāļāļĢāļāđ e-ink āđāļāđāļ Kobo eReader āļāļļāļāļāļ°āļāđāļāļāļāļēāļ§āļāđāđāļŦāļĨāļāđāļĨāļ°āđāļāļāđāļāļĨāđāđāļāļĒāļąāļāļāļļāļāļāļĢāļāđāļāļāļāļāļļāļ āđāļāļĢāļāļāļģāļāļēāļĄāļ§āļīāļāļĩāļāļēāļĢāļāļĒāđāļēāļāļĨāļ°āđāļāļĩāļĒāļāđāļāļĻāļđāļāļĒāđāļāđāļ§āļĒāđāļŦāļĨāļ·āļāđāļāļ·āđāļāđāļāļāđāļāļĨāđāđāļāļĒāļąāļ eReader āļāļĩāđāļĢāļāļāļĢāļąāļ
