The Celestial Hunter
āđāļĄ.āļĒ. 2020 · Macmillan + ORM
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In this analysis of human history and myth, â[Calassoâs] flow of associations leaves you feeling not out of your depth, but smarter and better readâ (The New York Times Book Review).
A New York Times Book Review Editorsâ Choice
There was a time, even before prehistory, when man was simply a defenseless animal. The gods he worshiped took the form of other beasts or were the patterns of the stars he saw above him each night in the sky, which he transformed into figures and around which he created stories. Soon, however, man learned to imitate the animals that attacked him and he became a hunter. This transformation, Roberto Calasso posits, from defenseless victim to hunter was a key moment, the first step on manâs ascendance to power. Suddenly the notion of the hunter became fundamental. It would be developed over thousands of years through the figures that became central to Greek mythology, including the constellations. Among them was Orion, the celestial hunter, and his dog, Sirius.
Vivid and strikingly original, and expertly translated from the Italian by Richard Dixon, The Celestial Hunter traces how man created the divine myths that would become the cornerstones of Western civilization. As Calasso demonstrates, the repercussions of these ideas would echo through history, from Paleolithic to modern times. And they would be the product of one thing: the human mind.
âCalasso is vital.â âThe Guardian
âAt a moment when atavistic kinds of peril, awe and terror seem close at hand, it feels no great stretch to share Calassoâs core belief that âThe gods always return.ââ âFinancial Times
âElliptical, allusive and dazzlingly eclectic.â âThe Spectator
âThought-provoking.â âPublishers Weekly
A New York Times Book Review Editorsâ Choice
There was a time, even before prehistory, when man was simply a defenseless animal. The gods he worshiped took the form of other beasts or were the patterns of the stars he saw above him each night in the sky, which he transformed into figures and around which he created stories. Soon, however, man learned to imitate the animals that attacked him and he became a hunter. This transformation, Roberto Calasso posits, from defenseless victim to hunter was a key moment, the first step on manâs ascendance to power. Suddenly the notion of the hunter became fundamental. It would be developed over thousands of years through the figures that became central to Greek mythology, including the constellations. Among them was Orion, the celestial hunter, and his dog, Sirius.
Vivid and strikingly original, and expertly translated from the Italian by Richard Dixon, The Celestial Hunter traces how man created the divine myths that would become the cornerstones of Western civilization. As Calasso demonstrates, the repercussions of these ideas would echo through history, from Paleolithic to modern times. And they would be the product of one thing: the human mind.
âCalasso is vital.â âThe Guardian
âAt a moment when atavistic kinds of peril, awe and terror seem close at hand, it feels no great stretch to share Calassoâs core belief that âThe gods always return.ââ âFinancial Times
âElliptical, allusive and dazzlingly eclectic.â âThe Spectator
âThought-provoking.â âPublishers Weekly
āđāļāļĩāđāļĒāļ§āļāļąāļāļāļđāđāđāļāđāļ
Roberto Calasso was the publisher of Adelphi Edizioni in Milan and the author of a decades-spanning, multi-volume work which up to now comprises The Ruin of Kasch, The Marriage of Cadmus and Harmony, Ka, K., Tiepolo Pink, La Folie Baudelaire, Ardor, The Unnamable Present, and The Celestial Hunter, many of which were published by FSG. FSG will published two more books in Calasso's magnum opus, The Book of All Books (November 2021) and his The Tablet of the Destinies in 2022. Roberto Calasso died on July 28, 2021.
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