The Celestial Hunter
рмЕрмкрнНрм░рнЗрм▓ 2020 ┬╖ Macmillan + ORM
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reportрм░рнЗрмЯрм┐рмВ рмУ рм╕рморнАрмХрнНрм╖рм╛рмЧрнБрнЬрм┐рмХрнБ рмпрм╛рмЮрнНрмЪ рмХрм░рм╛рмпрм╛рмЗрмирм╛рм╣рм┐рмБ ┬армЕрмзрм┐рмХ рмЬрм╛рмгрмирнНрмдрнБ
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In this analysis of human history and myth, тАЬ[CalassoтАЩs] flow of associations leaves you feeling not out of your depth, but smarter and better readтАЭ (The New York Times Book Review).
A New York Times Book Review EditorsтАЩ Choice
There was a time, even before prehistory, when man was simply a defenseless animal. The gods he worshiped took the form of other beasts or were the patterns of the stars he saw above him each night in the sky, which he transformed into figures and around which he created stories. Soon, however, man learned to imitate the animals that attacked him and he became a hunter. This transformation, Roberto Calasso posits, from defenseless victim to hunter was a key moment, the first step on manтАЩs ascendance to power. Suddenly the notion of the hunter became fundamental. It would be developed over thousands of years through the figures that became central to Greek mythology, including the constellations. Among them was Orion, the celestial hunter, and his dog, Sirius.
Vivid and strikingly original, and expertly translated from the Italian by Richard Dixon, The Celestial Hunter traces how man created the divine myths that would become the cornerstones of Western civilization. As Calasso demonstrates, the repercussions of these ideas would echo through history, from Paleolithic to modern times. And they would be the product of one thing: the human mind.
тАЬCalasso is vital.тАЭ тАФThe Guardian
тАЬAt a moment when atavistic kinds of peril, awe and terror seem close at hand, it feels no great stretch to share CalassoтАЩs core belief that тАШThe gods always return.тАЩтАЭ тАФFinancial Times
тАЬElliptical, allusive and dazzlingly eclectic.тАЭ тАФThe Spectator
тАЬThought-provoking.тАЭ тАФPublishers Weekly
A New York Times Book Review EditorsтАЩ Choice
There was a time, even before prehistory, when man was simply a defenseless animal. The gods he worshiped took the form of other beasts or were the patterns of the stars he saw above him each night in the sky, which he transformed into figures and around which he created stories. Soon, however, man learned to imitate the animals that attacked him and he became a hunter. This transformation, Roberto Calasso posits, from defenseless victim to hunter was a key moment, the first step on manтАЩs ascendance to power. Suddenly the notion of the hunter became fundamental. It would be developed over thousands of years through the figures that became central to Greek mythology, including the constellations. Among them was Orion, the celestial hunter, and his dog, Sirius.
Vivid and strikingly original, and expertly translated from the Italian by Richard Dixon, The Celestial Hunter traces how man created the divine myths that would become the cornerstones of Western civilization. As Calasso demonstrates, the repercussions of these ideas would echo through history, from Paleolithic to modern times. And they would be the product of one thing: the human mind.
тАЬCalasso is vital.тАЭ тАФThe Guardian
тАЬAt a moment when atavistic kinds of peril, awe and terror seem close at hand, it feels no great stretch to share CalassoтАЩs core belief that тАШThe gods always return.тАЩтАЭ тАФFinancial Times
тАЬElliptical, allusive and dazzlingly eclectic.тАЭ тАФThe Spectator
тАЬThought-provoking.тАЭ тАФPublishers Weekly
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Roberto Calasso was the publisher of Adelphi Edizioni in Milan and the author of a decades-spanning, multi-volume work which up to now comprises The Ruin of Kasch, The Marriage of Cadmus and Harmony, Ka, K., Tiepolo Pink, La Folie Baudelaire, Ardor, The Unnamable Present, and The Celestial Hunter, many of which were published by FSG. FSG will published two more books in Calasso's magnum opus, The Book of All Books (November 2021) and his The Tablet of the Destinies in 2022. Roberto Calasso died on July 28, 2021.
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