The Castle
Jul 2009 · OUP Oxford
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'K. kept feeling that he had lost himself, or was further away in a strange land than anyone had ever been before' A remote village covered almost permanently in snow and dominated by a castle and its staff of dictatorial, sexually predatory bureaucrats - this is the setting for Kafka's story about a man seeking both acceptance in the village and access to the castle. Kafka breaks new ground in evoking a dense village community fraught with tensions, and recounting an often poignant, occasionally farcical love-affair. He also explores the relation between the individual and power, and asks why the villagers so readily submit to an authority which may exist only in their collective imagination. Published only after Kafka's death, The Castle appeared in the same decade as modernist masterpieces by Eliot, Joyce, Woolf, Mann and Proust, and is among the central works of modern literature. This translation follows the text established by critical scholarship, and manuscript variants are mentioned in the notes. The introduction provides guidance to the text without reducing the reader's own freedom to make sense of this fascinatingly enigmatic novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Anthea Bell is a freelance translator from French and German and the winner of various translation awards: the Schlegel-Tieck Award, UK, three times; the Wolff Award, US; the Austrian State Prize for Literary Translation. She is the translator of W. G. Sebald and Stefan Zweig, and is best-known as the translator of Asterix. Ritchie Robertson is the author of the Very Short Introduction to Kafka. For Oxford World's Classics he has translated Hoffmann's The Golden Pot and Other Stories and introduced editions of Freud and Schnitzler. He is the editor of The Cambridge Companion to Thomas Mann.
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