Thanatourism and Cinematic Representations of Risk: Screening the End of Tourism
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This book adopts an unorthodox approach to debates about ‘the end of tourism’. Through twenty-first century cinematic narratives of symbolically interconnected ‘risks’ it considers how art envisages the future of humanity’s well-being. These ‘risks’ include: migration as an infectious disease; alien incursions as racialized labour mobilities; cyborg rebellion as the fear of post-colonial otherness; and zombie anthropophagy as the replacement of rooted identities by nomadic lifestyles.
Such filmic scenarios articulate the futuristic survival of community as the triumph of the technological human over otherness, and provide a means to debate societal risks that weave identity politics into unequal mobilities. This book will appeal to researchers and students interested in mobilities theory, tourism and travel theory, film studies and aesthetics, globalisation studies, race, labour and migration.
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Rodanthi Tzanelli is Associate Professor of Cultural Sociology at the University of Leeds, UK. Her research interests include globalisation, cosmopolitanism and mobility, with emphasis on tourism, migration, social movements and art theory. She is author of over 60 articles and another eight monographs, including 'Mobility, Modernity and the Slum: The Real and Virtual Journeys of Slumdog Millionaire' (2015).
