The concept is drawn from infrastructure studies, media theory, and aesthetic theory. This volume develops it further, addressing:
As the relation between artworks and their institutional and social settings becomes infrastructural in nature, we need to move beyond the reductive division of the study of artworks into production, articulation, and reception. This book provides its readers with an innovative conceptual toolbox designed for precisely this task, as well as a forceful set of exemplary case studies applying the concepts in theory and practice.
Solveig Daugaard, Department of Arts and Cultural Studies, University of Copenhagen, Denmark; Cecilie Ullerup Schmidt, Department of Arts and Cultural Studies, University of Copenhagen, Denmark; Frederik Tygstrup, Department of Arts and Cultural Studies, University of Copenhagen, Denmark.