Shakespeare and Reception Theory
Nigel Wood
12/2020 · Bloomsbury Publishing
E‑kniha
208
Počet strán
reportHodnotenia a recenzie nie sú overené Ďalšie informácie
Táto e‑kniha
Arden Shakespeare and Theory provides a comprehensive analysis of the theoretical developments that have dominated Shakespeare studies in recent years, as well as those that are emerging at the present moment. Each volume provides:
· a clear definition of a particular theory;
· a survey of its major theorists and critics;
· an analysis of its significance in Shakespeare studies;
· a summary of relevant political, social and economic contexts;
· a wealth of suggested resources for further investigation.
Reception Theory provides readers with a unique overview and understanding of the ways in which both audiences and readers have reacted to Shakespeare's works historically and in the present. This study demonstrates how recent emphases on a reader's and a spectator's role in the creation of meaning might allow us to contemplate Shakespeare's work in fresh and often provocative ways. Among the plays included as case studies are A Midsummer Night's Dream, Hamlet, The Tempest, King Lear and Henry V. Shakespeare and Reception Theory pays close attention to early modern modes of interaction in the playhouse alongside more recent assumptions that underlie spectating and performing.
· a clear definition of a particular theory;
· a survey of its major theorists and critics;
· an analysis of its significance in Shakespeare studies;
· a summary of relevant political, social and economic contexts;
· a wealth of suggested resources for further investigation.
Reception Theory provides readers with a unique overview and understanding of the ways in which both audiences and readers have reacted to Shakespeare's works historically and in the present. This study demonstrates how recent emphases on a reader's and a spectator's role in the creation of meaning might allow us to contemplate Shakespeare's work in fresh and often provocative ways. Among the plays included as case studies are A Midsummer Night's Dream, Hamlet, The Tempest, King Lear and Henry V. Shakespeare and Reception Theory pays close attention to early modern modes of interaction in the playhouse alongside more recent assumptions that underlie spectating and performing.
O autorovi
Nigel Wood is Professor of Literature at Loughborough University, UK. He has served as advisor to the RSC and Royal National Theatre on Shakespeare productions and directed several of Shakespeare's plays. He edited She Stoops to Conquer and Other Eighteenth-Century Comedies (2007), and co-edited with David Lodge Modern Theory and Criticism (2008).
Ohodnoťte túto elektronickú knihu
Povedzte nám svoj názor.
Informácie o dostupnosti
Smartfóny a tablety
Nainštalujte si aplikáciu Knihy Google Play pre Android a iPad/iPhone. Automaticky sa synchronizuje s vaším účtom a umožňuje čítať online aj offline, nech už ste kdekoľvek.
Laptopy a počítače
Audioknihy zakúpené v službe Google Play môžete počúvať prostredníctvom webového prehliadača v počítači.
Čítačky elektronických kníh a ďalšie zariadenia
Ak chcete tento obsah čítať v zariadeniach využívajúcich elektronický atrament, ako sú čítačky e‑kníh Kobo, musíte stiahnuť príslušný súbor a preniesť ho do svojho zariadenia. Pri prenose súborov do podporovaných čítačiek e‑kníh postupujte podľa podrobných pokynov v centre pomoci.
