Seeing Perception
Giới thiệu về sách điện tử này
But if there exists this inseparable bond between object and spectator, how can we distance ourselves from the act of looking and ‘show seeing,’ how is it possible to talk and write about ‘seeing perception’? The impurity of the visual, and the contextuality of all acts of looking, constitutes a common thread running through the articles collected in this volume. The ways in which images are perceived in Western culture are inextricably linked with verbal and textual structures and ways of thinking. However, the contributions in this volume are less concerned with the practical, political implications of a visual culture which formed the backbone of visual studies research a few years ago, and more with an adequate understanding of the various concepts and operations at work in theories of visual perception, of seeing, the gaze, and of focalisation.
Giới thiệu tác giả
Karin Leonhard is an assistant professor at the Institute for Art History, KU Eichstätt-Ingolstadt, Germany. From 2004-2006, she co-directed the research project “Historical Modes of Perception in Image and Text” together with Silke Horstkotte. Her doctoral thesis on Jan Vermeer’s interior paintings was published in 2003. She has also published a number of articles on baroque theories of space, on curiosity cabinets and on the graphic arts of the 17th century.
