Sea Summit: Poems
Yi Lu
แแแ. 2015 ยท Milkweed Editions
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208
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Translated to English, this collection of contemporary Chinese poetry examines humanityโs relationship with nature and the ecological crisis.
Influenced by both the โgray, sinister seaโ near the village where Yi Lu grew up during the Cultural Revolution, and the beauty of the sea in the books she read as a child, Sea Summit is a collection of paradox and questioning. The sea is an impossible force to the poet: it is both a majestic presence that predates man, and something to carry with us wherever we go, to be put โby an ancient rattan chair,โ so we can watch โits waves tossโ from above. Exploring the current ecological crisis and our complicated relationship to the wildness around us, Yi Lu finds something more complex than a traditional nature poet might in the mysterious connection between herself and the forces of nature represented by the boundless ocean.
Translated brilliantly by the acclaimed poet Fiona Sze-Lorrain, this collection of poems introduces an important contemporary Chinese poet to English-language readers.
Praise for Sea Summit
โYi Lu is a theatre scenographer, and her poems brim with the imagistic tendencies we might expect from a visual artist. More specifically, her poetic style fits that of a theatrical set designer. Within the poetry of Sea Summit, the images are like set pieces. They play supporting roles as they help to tell the speakerโs stories. . . . Sensitive and poignant poetry.โ โThe Literary Review
โA compilation of over twenty years of work. . . . Yiโs poetry shows the world as staggeringly simultaneous, from a crowded conference room in the middle of the city to the titular wave rising under the incredible volume of the ocean. . . . This collection is a great introduction to Yi Lu, already one of the most widely read poets in China.โ โThe Los Angeles Review
โWith this selection of more than 80 of her ecologically conscious lyric poems, Yi receives a generous introduction to English readers. The pastoral is Yiโs mode of choice, and the poems here take as their subject matter the natural world as well as the human experience of it. . . . Sze-Lorrainโs steadfast translations, presented en-face, make accessible one of Chinaโs most famous woman poets.โ โPublishers Weekly
Influenced by both the โgray, sinister seaโ near the village where Yi Lu grew up during the Cultural Revolution, and the beauty of the sea in the books she read as a child, Sea Summit is a collection of paradox and questioning. The sea is an impossible force to the poet: it is both a majestic presence that predates man, and something to carry with us wherever we go, to be put โby an ancient rattan chair,โ so we can watch โits waves tossโ from above. Exploring the current ecological crisis and our complicated relationship to the wildness around us, Yi Lu finds something more complex than a traditional nature poet might in the mysterious connection between herself and the forces of nature represented by the boundless ocean.
Translated brilliantly by the acclaimed poet Fiona Sze-Lorrain, this collection of poems introduces an important contemporary Chinese poet to English-language readers.
Praise for Sea Summit
โYi Lu is a theatre scenographer, and her poems brim with the imagistic tendencies we might expect from a visual artist. More specifically, her poetic style fits that of a theatrical set designer. Within the poetry of Sea Summit, the images are like set pieces. They play supporting roles as they help to tell the speakerโs stories. . . . Sensitive and poignant poetry.โ โThe Literary Review
โA compilation of over twenty years of work. . . . Yiโs poetry shows the world as staggeringly simultaneous, from a crowded conference room in the middle of the city to the titular wave rising under the incredible volume of the ocean. . . . This collection is a great introduction to Yi Lu, already one of the most widely read poets in China.โ โThe Los Angeles Review
โWith this selection of more than 80 of her ecologically conscious lyric poems, Yi receives a generous introduction to English readers. The pastoral is Yiโs mode of choice, and the poems here take as their subject matter the natural world as well as the human experience of it. . . . Sze-Lorrainโs steadfast translations, presented en-face, make accessible one of Chinaโs most famous woman poets.โ โPublishers Weekly
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Yi Lu is a theater scenographer who leads a parallel life as a poet. Born in 1956, she is the author of five books of poetry, including the award-winning titles, See (2004) and Using Two Seas (2009). Her fifth volume, Forever Lingering (2011), was published by Culture and Art Press in Beijing. Yi is known for her elegant and distilled lyrical voice, as well as her ecological awareness. Her honors include the Hundred Flowers Award for Literature and other distinguished literary prizes from Fujian province. A theatrical stage and set designer at the Peopleโs Art Theatre in Fujian, she lives in the southern coastal city of Fuzhou.
Fiona Sze-Lorrain writes and translates in English, French, and Chinese. Her new poetry collection, The Ruined Elegance (2016), is published by Princeton University Press in the Princeton Series of Contemporary Poets. The author of two previous titles, My Funeral Gondola (2013) and Water the Moon (2010), as well as several translations of contemporary Chinese, French, and American poets, she is a zheng harpist and an editor at Vif รditions. She lives in Paris, France.
Melissa Kwasny is the author of five books of poems, including, most recently, Pictograph (2015), The Nine Senses (2011), and Reading Novalis in Montana (2009), all from Milkweed Editions. Her book of essays, Earth Recitals: Essays on Image and Vision, was published by Lynx House Press in 2013. She lives in the Elkhorn Mountains of western Montana.
Fiona Sze-Lorrain writes and translates in English, French, and Chinese. Her new poetry collection, The Ruined Elegance (2016), is published by Princeton University Press in the Princeton Series of Contemporary Poets. The author of two previous titles, My Funeral Gondola (2013) and Water the Moon (2010), as well as several translations of contemporary Chinese, French, and American poets, she is a zheng harpist and an editor at Vif รditions. She lives in Paris, France.
Melissa Kwasny is the author of five books of poems, including, most recently, Pictograph (2015), The Nine Senses (2011), and Reading Novalis in Montana (2009), all from Milkweed Editions. Her book of essays, Earth Recitals: Essays on Image and Vision, was published by Lynx House Press in 2013. She lives in the Elkhorn Mountains of western Montana.
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