Paradise
αα»αααα 2013 Β· Modern Library
4.0star
ααΆαααΆαααααα 2report
ααααα
βα’αα‘α·α
ααααΌαα·α
544
ααααα
family_home
ααΆααα·αααα·
info
reportααΆαααΆαααααα αα·αααα·ααΆαααααααα·αααααΌαααΆααααααααααΆαααα αααααααααααααα
α’αααΈααααα βα’αα‘α·α ααααΌαα·αααα
βIf there is any justice in the world of books, [Esolenβs] will be the standard Dante . . . for some time to come.ββRobert Royal, Crisis
In this, the concluding volume of The Divine Comedy, Dante ascends from the devastation of the Inferno and the trials of Purgatory. Led by his beloved Beatrice, he enters Paradise, to profess his faith, hope, and love before the Heavenly court. Completed shortly before his death, Paradise is the volume that perhaps best expresses Danteβs spiritual philosophy about resurrection, redemption, and the nature of divinity. It also affords modern-day readers a clear window into late medieval perceptions about faith. A bilingual text, classic illustrations by Gustave DorΓ©, an appendix that reproduces Danteβs key sources, and other features make this the definitive edition of Danteβs ultimate masterwork.
In this, the concluding volume of The Divine Comedy, Dante ascends from the devastation of the Inferno and the trials of Purgatory. Led by his beloved Beatrice, he enters Paradise, to profess his faith, hope, and love before the Heavenly court. Completed shortly before his death, Paradise is the volume that perhaps best expresses Danteβs spiritual philosophy about resurrection, redemption, and the nature of divinity. It also affords modern-day readers a clear window into late medieval perceptions about faith. A bilingual text, classic illustrations by Gustave DorΓ©, an appendix that reproduces Danteβs key sources, and other features make this the definitive edition of Danteβs ultimate masterwork.
ααΆαααΆααααααΆα αα·αααα·ααΆαααααα
4.0
ααΆαααΆαααααα 2
α’αααΈβα’ααααα·αααα
Anthony Esolen is a professor of English at Providence College. He is the author of Peppers, a book of poetry, and his translations include Lucretiusβs De rerum natura and Torquato Tassoβs Gerusalemme liberata, along with Danteβs Inferno and Purgatory, published by the Modern Library.
Dante Alighieri was born in Florence in 1256. He entered public life in 1295, later becoming one of the six governing magistrates of Florence. He repeatedly opposed the machinations of Pope Boniface VIII, who was attempting to place all of Tuscany under Papal rule, and in 1301 was banished from Florence. Dante would never again enter his native city, spending his remaining years with a series of patrons in various Italian courts. He completed The Divine Comedy shortly before his death in 1321. Gustave DorΓ© (1832-83) was one of the most popular and prolific French illustrators of the mid 19th century.
Dante Alighieri was born in Florence in 1256. He entered public life in 1295, later becoming one of the six governing magistrates of Florence. He repeatedly opposed the machinations of Pope Boniface VIII, who was attempting to place all of Tuscany under Papal rule, and in 1301 was banished from Florence. Dante would never again enter his native city, spending his remaining years with a series of patrons in various Italian courts. He completed The Divine Comedy shortly before his death in 1321. Gustave DorΓ© (1832-83) was one of the most popular and prolific French illustrators of the mid 19th century.
ααΆααααααααααα βα’αα‘α·α ααααΌαα·αααα
ααααΆααααΎαα’αααΈααΆααααααΎαααααα’αααα
α’αΆαβααααααΆα
ααΌαααααααααΆααα αα·αβααααααα
ααα‘αΎααααααα·ααΈ Google Play Books αααααΆαα Android αα·α iPad/iPhone α ααΆβααααΎααααΆαααααβαααααααααααααααα·ααΆαα½αβααααΈβααααα’αααβ αα·αβα’αα»ααααΆαα±ααβα’αααα’αΆααααβααΆαα’ααΈαααΊαα·α α¬ααααΆαβα’ααΈαααΊαα·αβαα
αααααααΈααααααα
αα»αααααΌαααβαα½ααα αα·ααα»αααααΌααα
α’αααα’αΆα
ααααΆααααααα
ααΆααα‘αααααααΆααα·ααα
αααα»α Google Play αααααααΎαααααα·ααΈαα»αααααΆαα’ααΈαααΊαα·ααααα»ααα»αααααΌαααααααα’αααα
eReaders αα·αβα§αααααβαααααβααα
ααΎααααΈα’αΆααα
ααΎβα§ααααα e-ink ααΌα
ααΆβα§αααααα’αΆαβααααα
α’αα‘α·α
ααααΌαα·α Kobo α’αααααΉαααααΌαβααΆαααβα―αααΆα α αΎαβαααααααΆαα
βα§αααααβααααα’αααα ααΌαα’αα»ααααααΆαβααΆαααααΆααααα’α·αααααααααααααααααα½α ααΎααααΈαααααα―αααΆαβαα
α§αααααα’αΆαααααα
βα’αα‘α·α
ααααΌαα·ααααααααΆααα
