מידע על הספר הדיגיטלי הזה
The typical Pindaric ode reflects three separate moments: the instant of success in contest, the victory night with its disorderly revels, and the actual banquet of family and friends where the commissioned poem is being offered as entertainment. In their essential effect, these songs transform a physical triumph, as experienced by one man, into a sense of elation shared by his peers—men who have gathered to dine and to drink.
Athletic odes were presented by small bands of dancing singers, influencing the audience with music and dance as well as by words. These translations respect the form of the originals, keeping the stanzas that shaped repeating melodies and danced figures and using rhythms meant to suggest performers in motion.
Pindar's songs were meant to entertain and exalt groups of drinking men. These translations revive the confident excitement of their original performances.
על המחבר
Anne Pippin Burnett is Professor Emerita of Classics at the University of Chicago.
