Nero: [Illustrated & Engraved & Mapped]
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IN ancient times, when the city of Rome was at the height of its power and splendor, it was the custom, as it is in fact now with the inhabitants of wealthy capitals, for the principal families to possess, in addition to their city residences, rural villas for summer retreats, which they built in picturesque situations, at a little distance from the city, sometimes in the interior of the country, and sometimes upon the seashore. There were many attractive places of resort of this nature in the neighborhood of Rome. Among them was Antium. The beauty and the salubrity of Antium made it a very attractive place of summer resort for the people of Rome; and in process of time, when the city attained to an advanced stage of opulence and luxury, the Roman noblemen built villas there, choosing situations, in some instances, upon the natural terraces and esplanades of the promontory, which looked off over the sea, and in others cool and secluded retreats in the valleys, on the land. It was in one of these villas that NERO was born. NERO's father belonged to a family which had enjoyed for several generations a considerable degree of distinction among the Roman nobility, though known by a somewhat whimsical name. The family name was Brazenbeard, or, to speak more exactly, it was Aheno-barbus, which is the Latin equivalent for that word.
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IN writing the series of historical narratives to which the present work pertains, it has been the object of the author to furnish to the reading community of this country an accurate and faithful account of the lives and actions of the several personages that are made successively the subjects of the volumes, following precisely the story which has come down to us from ancient times. The writer has spared no pains to gain access in all cases to the original sources of information, and has confined himself strictly to them. The reader may, therefore, feel assured in perusing any one of these works, that the interest of it is in no degree indebted to the invention of the author. No incident, however trivial, is ever added to the original account, nor are any words even in any case, attributed to a speaker without express authority. Whatever of interest, therefore, these stories may possess, is due solely to the facts themselves which are recorded in them, and to their being brought together in a plain, simple, and connected narrative.
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