Narrative Ethics

ยท Value Inquiry Book Series ืกืคืจ 267 ยท Rodopi
ืกืคืจ ื“ื™ื’ื™ื˜ืœื™
313
ื“ืคื™ื
ื›ืฉื™ืจ
ื”ื‘ื™ืงื•ืจื•ืช ื•ื”ื“ื™ืจื•ื’ื™ื ืœื ืžืื•ืžืชื™ืย ืžื™ื“ืข ื ื•ืกืฃ

ืžื™ื“ืข ืขืœ ื”ืกืคืจ ื”ื“ื™ื’ื™ื˜ืœื™ ื”ื–ื”

While Plato recommended expelling poets from the ideal society, W. H. Auden famously declared that poetry makes nothing happen. The 19 contributions to the present book avoid such polarized views and, responding in different ways to the โ€œethical turnโ€ in narrative theory, explore the varied ways in which narratives encourage readers to ponder matters of right and wrong. All work from the premise that the analysis of narrative ethics needs to be linked to a sensitivity to esthetic (narrative) form. The ethical issues are accordingly located on different levels. Some are clearly presented as thematic concerns within the text(s) considered, while others emerge through (or are generated by) the presentation of character and event by means of particular narrative techniques. The objects of analysis include such well-known or canonical texts as Biblical Old Testament stories, Mark Twainโ€™s Huckleberry Finn, J. R. R. Tolkienโ€™s The Lord of the Rings, Vladimir Nabokovโ€™s Lolita, Jonathan Littellโ€™s The Kindly Ones, Ann Radcliffeโ€™s The Italian and Matthew Lewisโ€™s The Monk. Others concentrate on less-well-known texts written in languages other than English. There are also contributions that investigate theoretical issues in relation to a range of different examples.

ืจื•ืฆื” ืœื“ืจื’ ืืช ื”ืกืคืจ ื”ื“ื™ื’ื™ื˜ืœื™ ื”ื–ื”?

ื ืฉืžื— ืœืฉืžื•ืข ืžื” ื“ืขืชืš.

ืื™ืš ืงื•ืจืื™ื ืืช ื”ืกืคืจ

ืกืžืืจื˜ืคื•ื ื™ื ื•ื˜ืื‘ืœื˜ื™ื
ื›ืœ ืžื” ืฉืฆืจื™ืš ืœืขืฉื•ืช ื”ื•ื ืœื”ืชืงื™ืŸ ืืช ื”ืืคืœื™ืงืฆื™ื” ืฉืœ Google Play Books ืœ-Android ืื• ืœ-iPad/iPhoneโ€. ื”ื™ื ืžืกืชื ื›ืจื ืช ื‘ืื•ืคืŸ ืื•ื˜ื•ืžื˜ื™ ืขื ื”ื—ืฉื‘ื•ืŸ ืฉืœืš ื•ืžืืคืฉืจืช ืœืš ืœืงืจื•ื ืžื›ืœ ืžืงื•ื, ื’ื ืœืœื ื—ื™ื‘ื•ืจ ืœืื™ื ื˜ืจื ื˜.
ืžื—ืฉื‘ื™ื ื ื™ื™ื“ื™ื ื•ืฉื•ืœื—ื ื™ื™ื
ื ื™ืชืŸ ืœื”ืื–ื™ืŸ ืœืกืคืจื™ ืื•ื“ื™ื• ืฉื ืจื›ืฉื• ื‘-Google Play ื‘ืืžืฆืขื•ืช ื“ืคื“ืคืŸ ื”ืื™ื ื˜ืจื ื˜ ืฉืœ ื”ืžื—ืฉื‘.
eReaders ื•ืžื›ืฉื™ืจื™ื ืื—ืจื™ื
ื›ื“ื™ ืœืงืจื•ื ื‘ืžื›ืฉื™ืจื™ื ืขื ืชืฆื•ื’ืช ื“ื™ื• ืืœืงื˜ืจื•ื ื™ (e-ink) ื›ืžื• ื”ืงื•ืจืื™ื ื”ืืœืงื˜ืจื•ื ื™ื™ื ืฉืœ Kobo, ืฆืจื™ืš ืœื”ื•ืจื™ื“ ืงื•ื‘ืฅ ื•ืœื”ืขื‘ื™ืจ ืื•ืชื• ืœืžื›ืฉื™ืจ. ื™ืฉ ืœืคืขื•ืœ ืœืคื™ ื”ื”ื•ืจืื•ืช ื”ืžืคื•ืจื˜ื•ืช ื‘ืžืจื›ื– ื”ืขื–ืจื” ื›ื“ื™ ืœื”ืขื‘ื™ืจ ืืช ื”ืงื‘ืฆื™ื ืœืงื•ืจืื™ื ืืœืงื˜ืจื•ื ื™ื™ื ื ืชืžื›ื™ื.

ืœื”ืžืฉืš ืงืจื™ืื” ืฉืœ ื”ืกื“ืจื”

ืกืคืจื™ื ื“ื™ื’ื™ื˜ืœื™ื™ื ื“ื•ืžื™ื