The book begins by examining the historical development of film criticism and the rise of auteur theory, which initially celebrated directors as the primary creative force.
It then delves into case studies of directors, analyzing their filmographies to identify patterns in their successes and failures, and scrutinizes the controversies surrounding their most divisive works.
The book concludes by considering the nature of film criticism, the audience's role, and the enduring influence of auteurism, all while drawing upon film reviews, box-office data, and interviews.