Samuel Beckett's Endgame
Mark S. Byron
Jan 2007 · Dialogue (Amsterdam. 2007) Book 1 · Rodopi
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About this ebook
This collection of essays - the first volume in the Dialogue series - brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett's play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett's attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.
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About the author
MARK S. BYRON is an Australian Research Council Postdoctoral Fellow in the Department of English at the University of Sydney, Australia. He has taught at the University of Washington, Seattle, and at the University of Sydney. His principal publications include essays on Samuel Beckett, Ezra Pound and Gertrude Stein. He is currently co-editor of the Electronic Variorum Edition of Ezra Pound's Cantos, with Professor Richard Taylor, and is also working on an electronic edition of Samuel Beckett's novel Watt.
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