Little Man, What Now?
březen 2011 · Melville House
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The return of a “superb” forgotten masterpiece about a young couple living in Weimar Germany during the Nazi’s rise to power (Graham Greene)
Written just before the Nazis came to power, this darkly enchanting novel tells the simple story of a young couple trying to eke out a devent life amidst an economic crisis that’s transforming their country into a place of anger and despair. It was an international bestseller upon its release, and made into a Hollywood movie—by Jewish producers, which prompted the rising Nazis to begin paying ominously close attention to Hans Fallada, even as his novels held out stirring hope for the human spirit. Ultimately, it is the book that led to Hans Fallada’s downfall with the Nazis.
It is presented here in its first-ever uncut translation, by Susan Bennett, and with an afterword by Philip Brady that details the calamitous background of the novel, its worldwide reception, and how it turned out to be, for the author, a dangerous book.
“Painfully true to life . . . I have read nothing so engaging as Little Man, What Now? for a long time.” —Thomas Mann
Written just before the Nazis came to power, this darkly enchanting novel tells the simple story of a young couple trying to eke out a devent life amidst an economic crisis that’s transforming their country into a place of anger and despair. It was an international bestseller upon its release, and made into a Hollywood movie—by Jewish producers, which prompted the rising Nazis to begin paying ominously close attention to Hans Fallada, even as his novels held out stirring hope for the human spirit. Ultimately, it is the book that led to Hans Fallada’s downfall with the Nazis.
It is presented here in its first-ever uncut translation, by Susan Bennett, and with an afterword by Philip Brady that details the calamitous background of the novel, its worldwide reception, and how it turned out to be, for the author, a dangerous book.
“Painfully true to life . . . I have read nothing so engaging as Little Man, What Now? for a long time.” —Thomas Mann
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O autorovi
Before WWII , German writer Hans Fallada’s novels were international bestsellers, on a par with those of his countrymen Thomas Mann and Herman Hesse. In America, Hollywood even turned his first big novel, Little Man, What Now? into a major motion picture.
Learning the movie was made by a Jewish producer, however, Hitler decreed Fallada’ s work could no longer be sold outside Germany, and the rising Nazis began to pay him closer attention. When he refused to join the Nazi party he was arrested by the Gestapo—who eventually released him, but thereafter regularly summoned him for “discussions” of his work.
However, unlike Mann, Hesse, and others, Fallada refused to flee to safety, even when his British publisher, George Putnam, sent a private boat to rescue him. The pressure took its toll on Fallada, and he resorted increasingly to drugs and alcohol for relief. After Goebbels ordered him to write an anti-Semitic novel, he snapped and found himself imprisoned in an asylum for the “criminally insane”—considered a death sentence under Nazi rule. To forestall the inevitable, he pretended to write the assignment for Goebbels, while actually composing three encrypted books—including his tour de force novel The Drinker—in such dense code that they were not deciphered until long after his death.
Fallada outlasted the Reich and was freed at war’s end. But he was a shattered man. To help him recover by putting him to work, Fallada’s publisher gave him the Gestapo file of a simple, working-class couple who had resisted the Nazis. Inspired, Fallada completed Every Man Dies Alone in just twenty-four days.
He died in February 1947, just weeks before the book’s publication.
Learning the movie was made by a Jewish producer, however, Hitler decreed Fallada’ s work could no longer be sold outside Germany, and the rising Nazis began to pay him closer attention. When he refused to join the Nazi party he was arrested by the Gestapo—who eventually released him, but thereafter regularly summoned him for “discussions” of his work.
However, unlike Mann, Hesse, and others, Fallada refused to flee to safety, even when his British publisher, George Putnam, sent a private boat to rescue him. The pressure took its toll on Fallada, and he resorted increasingly to drugs and alcohol for relief. After Goebbels ordered him to write an anti-Semitic novel, he snapped and found himself imprisoned in an asylum for the “criminally insane”—considered a death sentence under Nazi rule. To forestall the inevitable, he pretended to write the assignment for Goebbels, while actually composing three encrypted books—including his tour de force novel The Drinker—in such dense code that they were not deciphered until long after his death.
Fallada outlasted the Reich and was freed at war’s end. But he was a shattered man. To help him recover by putting him to work, Fallada’s publisher gave him the Gestapo file of a simple, working-class couple who had resisted the Nazis. Inspired, Fallada completed Every Man Dies Alone in just twenty-four days.
He died in February 1947, just weeks before the book’s publication.
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