Genetic Narratology: Analysing Narrative across Versions

· Open Book Publishers
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この電子書籍について

Genetic Narratology is the first full-length volume to merge genetic criticism with narratology, offering an innovative approach to understanding literature. By examining the creative process behind literary works through drafts, manuscripts and revisions, this book reveals how narratives are shaped in real time.


Through diverse case studies—from Charlotte Brontë to Stephen King—this collection demonstrates how the material processes of writing influence narrative structure, pacing, and even the ‘untold’. By integrating genetic criticism with narratological methods, contributors explore how stories evolve, providing fresh insights into time, space, character, and suspense.


Bridging the gap between the production and reception of texts, this volume makes a compelling case for incorporating genetic methods into broader narratological frameworks, enhancing not only our understanding of the genesis of literary works, ultimately enriching the reading experience, but also our awareness of the ways we narrativise this genesis.


The book will be of interest to students and researchers alike, offering a new set of tools for analysing narrative across different versions.

著者について

Dirk Van Hulle is Professor of Bibliography and Modern Book History at the University of Oxford, director of the Oxford Centre for Textual Editing and Theory (OCTET) and of the Centre for Manuscript Genetics at the University of Antwerp. With Mark Nixon, he is director of the MLA award-winning Beckett Digital Manuscript Project (www.beckettarchive. org), series editor of the series ‘Elements in Beckett Studies’, editor of the Journal of Beckett Studies, and curator of the Bodleian exhibition Write Cut Rewrite (Oxford, Feb 2024–Jan 2025). His publications include Textual Awareness (2004), Modern Manuscripts (2014), Samuel Beckett’s Library (2013, with Mark Nixon), The New Cambridge Companion to Samuel Beckett (2015), James Joyce’s Work in Progress (2016), Genetic Criticism: Tracing Creativity in Literature (2022), and Write Cut Rewrite (2024, with Mark Nixon).

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