Individual essays range widely, from a poetic and personal reflection on the ritual of tôrô nagashi (the lighting of floating paper lanterns that has traditionally commemorated souls lost in great public cataclysms, such as war) to a study of the various counterfactual histories written about the historical figure of Toyotomi Hideyoshi, a former peasant farmer who became a military dictator of feudal Japan. The book also includes an original manga, Nanohana, from the popular artist Hagio Moto, who is quoted as saying: “I want to think together with everyone else about Fukushima and Chernobyl, about the future of the Earth, about the future of humankind, and to keep thinking moving forward.”
Frenchy Lunning is professor of liberal arts at the Minneapolis College of Art and Design.
Contributors: Steven R. Anderson; Sandra Annett, Wilfrid Laurier U; Brian Bergstrom, McGill U; Susan W. Furukawa, Beloit College; Pamela Gossin, U of Texas–Dallas; Forrest Greenwood, Indiana U, Bloomington; Brett Hack, Aichi Prefectural U; Moto Hagio; Kendall Heitzman, U of Iowa; Andrea Horbinski, U of California, Berkeley; Sabu Kohso; Akira Mizuta Lippit, U of Southern California; Matthew Penney, Concordia U, Montreal; Saito Satomi, Bowling Green State U; Matt Thorn, Kyoto Seika U; Christopher Thouny; Hoshino Tomoyuki.