The book examines the transitions between living and dead in case studies, for instance, based on early tombs, anatomical renderings, and sculptural monochromy as well as on the history of coloring, Vasari’s teleology, Michelangelo's non-finito, and Titian's portraits. What come into play are eroticism, monetary theory, the luster of eyes, and still-lifes, and also visual poetry, princely triumphal processions, and light and sculpture in the Baroque.