Did you know home video and digital distribution have given filmmakers new ways to release alternative cuts? The book argues that multiple versions complicate the idea of a definitive cinematic text, prompting a critical reassessment of film authorship.
The book journeys through this subject by defining key terms and examining case studies where films have undergone alterations due to creative differences, censorship, or commercial considerations. It analyzes how these changes affect narrative and thematic resonance.
Throughout, the book maintains an accessible tone, blending rigorous analysis with engaging storytelling for film students, scholars, and enthusiasts.