Everything Flows
svi 2010. · Random House
4,0star
3 recenzijereport
E-knjiga
320
str.
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O ovoj e-knjizi
'Everything Flows is as important a novel as anything written by Solzhenitsyn, and Robert Chandler's superb translation makes it a joy to read'
Antony Beevor
Ivan Grigoryevich has been in the Gulag for thirty years. Released after Stalin's death, he finds that the years of terror have imposed a collective moral slavery. He must struggle to find a place for himself in an unfamiliar world. Grossman tells the stories of those people entwined with Ivan's fate: his cousin Nikolay, a scientist who never let his conscience interfere with his career, Pinegin, the informer who had Ivan sent to the camps and Anna Sergeyevna, Ivan's lover, who tells of her involvement as an activist in the Terror famine of 1932-3.
Everything Flows is Vasily Grossman's final testament, written after the Soviet authorities suppressed Life and Fate.
'Vasily Grossman is the Tolstoy of the USSR' Martin Amis
Antony Beevor
Ivan Grigoryevich has been in the Gulag for thirty years. Released after Stalin's death, he finds that the years of terror have imposed a collective moral slavery. He must struggle to find a place for himself in an unfamiliar world. Grossman tells the stories of those people entwined with Ivan's fate: his cousin Nikolay, a scientist who never let his conscience interfere with his career, Pinegin, the informer who had Ivan sent to the camps and Anna Sergeyevna, Ivan's lover, who tells of her involvement as an activist in the Terror famine of 1932-3.
Everything Flows is Vasily Grossman's final testament, written after the Soviet authorities suppressed Life and Fate.
'Vasily Grossman is the Tolstoy of the USSR' Martin Amis
Ocjene i recenzije
4,0
3 recenzije
O autoru
Vasily Grossman was born in 1905. In 1941 he became a correspondent for the Red Army newspaper, Red Star, reporting on the defence of Stalingrad, the fall of Berlin and the consequences of the Holocaust, work collected in A Writer at War. Life and Fate, his masterpiece, was considered a threat to the totalitarian regime, and Grossman was told that there was no chance of it being published for another 200 years. Grossman began Everything Flows in 1955 and was still working on it during his last days in hospital in September 1964.
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