Eating the Dinosaur
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After a bestselling and acclaimed diversion into fiction, Chuck Klosterman, author of Sex, Drugs, and Cocoa Puffs, returns to the form in which heâs been spectacularly successful with a collection of essays about our consumption of pop culture and sports.
Q: What is this book about?
A: Well, thatâs difficult to say. I havenât read it yetâIâve just picked it up and casually glanced at the back cover. There clearly isnât a plot. Iâve heard thereâs a lot of stuff about time travel in this book, and quite a bit about violence and Garth Brooks and why Germans donât laugh when theyâre inside grocery stores. Ralph Nader and Ralph Sampson play significant roles. I think there are several pages about Rear Window and college football and Mad Men and why Rivers Cuomo prefers having sex with Asian women. Supposedly thereâs a chapter outlining all the things the Unabomber was right about, but perhaps Iâm misinformed.
Q: Is there a larger theme?
A: Oh, something about reality. âWhat is reality,â maybe? No, thatâs not it. Not exactly. I get the sense that most of the core questions dwell on the way media perception constructs a fake reality that ends up becoming more meaningful than whatever actually happened. Also, Lady Gaga.
Q: Should I read this book?
A: Probably. Do you see a clear relationship between the Branch Davidian disaster and the recording of Nirvanaâs In Utero? Does Barack Obama make you want to drink Pepsi? Does ABBA remind you of AC/DC? If so, you probably donât need to read this book. You probably wrote this book. But I suspect everybody else will totally love it, except for the ones who totally hate it.
Q: What is this book about?
A: Well, thatâs difficult to say. I havenât read it yetâIâve just picked it up and casually glanced at the back cover. There clearly isnât a plot. Iâve heard thereâs a lot of stuff about time travel in this book, and quite a bit about violence and Garth Brooks and why Germans donât laugh when theyâre inside grocery stores. Ralph Nader and Ralph Sampson play significant roles. I think there are several pages about Rear Window and college football and Mad Men and why Rivers Cuomo prefers having sex with Asian women. Supposedly thereâs a chapter outlining all the things the Unabomber was right about, but perhaps Iâm misinformed.
Q: Is there a larger theme?
A: Oh, something about reality. âWhat is reality,â maybe? No, thatâs not it. Not exactly. I get the sense that most of the core questions dwell on the way media perception constructs a fake reality that ends up becoming more meaningful than whatever actually happened. Also, Lady Gaga.
Q: Should I read this book?
A: Probably. Do you see a clear relationship between the Branch Davidian disaster and the recording of Nirvanaâs In Utero? Does Barack Obama make you want to drink Pepsi? Does ABBA remind you of AC/DC? If so, you probably donât need to read this book. You probably wrote this book. But I suspect everybody else will totally love it, except for the ones who totally hate it.
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Chuck Klosterman is the bestselling author of many books of nonfiction (including The Nineties, Sex, Drugs, and Cocoa Puffs, I Wear the Black Hat, and But What If We're Wrong?) and fiction (Downtown Owl, The Visible Man, and Raised in Captivity). He has written for The New York Times, The Washington Post, GQ, Esquire, Spin, The Guardian, The Believer, Billboard, The A.V. Club, and ESPN. Klosterman served as the Ethicist for The New York Times Magazine for three years, and was an original founder of the website Grantland with Bill Simmons.
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