Dark Memory
2014년 4월 · Open Road Media
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On a mad mission in the African jungle, a photographer loses his way
Lew Cable is an impulsive man, lazy and violent, especially when he has been drinking. He is a rotten choice to lead a scientific expedition, but his wife’s money convinces the exploration committee that he is the man for the job. Jay Nichols sees right through Cable’s bravado, but for the chance to photograph African gorillas in their natural habitat, he is more than willing to sacrifice his pride. If he is not careful, he will give up much more than that.
After accidentally killing a female gorilla, Nichols is beset with shame and grief. His judgment impaired, he makes the mistake of venturing into the jungle alone with the trip leader’s wife. When they get lost, Nichols quickly finds that an angry husband is far more dangerous than any beast the jungle has to offer.
Lew Cable is an impulsive man, lazy and violent, especially when he has been drinking. He is a rotten choice to lead a scientific expedition, but his wife’s money convinces the exploration committee that he is the man for the job. Jay Nichols sees right through Cable’s bravado, but for the chance to photograph African gorillas in their natural habitat, he is more than willing to sacrifice his pride. If he is not careful, he will give up much more than that.
After accidentally killing a female gorilla, Nichols is beset with shame and grief. His judgment impaired, he makes the mistake of venturing into the jungle alone with the trip leader’s wife. When they get lost, Nichols quickly finds that an angry husband is far more dangerous than any beast the jungle has to offer.
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Jonathan Latimer (1906–1983) was a bestselling author and screenwriter. Born in Chicago, he began his career as a crime reporter for the Herald Examiner, working there until 1935, when he set out on a twisting road to Hollywood, which included stints as a dude rancher, a stunt man, and a publicist. In the late 1930s he began writing screenplays for MGM, producing the scripts for several classic noir films, including The Big Clock (1948) and the adaptation of Dashiell Hammett’s The Glass Key (1942), which starred Alan Ladd.
All the while, Latimer was writing fast-paced mystery novels such as The Lady in the Morgue (1936) and The Dead Don’t Care (1938). After fighting in World War II, he returned to Hollywood, where he continued writing novels and became a staff writer for the Perry Mason show.
All the while, Latimer was writing fast-paced mystery novels such as The Lady in the Morgue (1936) and The Dead Don’t Care (1938). After fighting in World War II, he returned to Hollywood, where he continued writing novels and became a staff writer for the Perry Mason show.
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