Creating A Role

Β· Bloomsbury Publishing
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4 Ρ€Π΅Ρ†Π΅Π½Π·ΠΈΠΈ
Π•-ΠΊΠ½ΠΈΠ³Π°
280
Π‘Ρ‚Ρ€Π°Π½ΠΈΡ†ΠΈ
ΠžΡ†Π΅Π½ΠΈΡ‚Π΅ ΠΈ Ρ€Π΅Ρ†Π΅Π½Π·ΠΈΠΈΡ‚Π΅ Π½Π΅ сС ΠΏΠΎΡ‚Π²Ρ€Π΄Π΅Π½ΠΈ Β Π”ΠΎΠ·Π½Π°Ρ˜Ρ‚Π΅ повСќС

Π—Π° Π΅-ΠΊΠ½ΠΈΠ³Π°Π²Π°

Creating A Role is the third book - alongside the international bestseller An Actor Prepares and Building A Character - in the series of influential translations that introduced Stanislavski's acting 'system' to the English-speaking world. Here Stanislavski describes the elaborate preparation that an actor must undergo before the actual performance itself. Now published in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth, the book includes the director's analysis of such works as Othello and Gogol's Inspector General.

ΠžΡ†Π΅Π½ΠΈ ΠΈ Ρ€Π΅Ρ†Π΅Π½Π·ΠΈΠΈ

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4 Ρ€Π΅Ρ†Π΅Π½Π·ΠΈΠΈ

Π—Π° Π°Π²Ρ‚ΠΎΡ€ΠΎΡ‚

Konstantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897. During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting.

ΠžΡ†Π΅Π½Π΅Ρ‚Π΅ ја Π΅-ΠΊΠ½ΠΈΠ³Π°Π²Π°

ΠšΠ°ΠΆΠ΅Ρ‚Π΅ Π½ΠΈ ΡˆΡ‚ΠΎ мислитС.

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Π—Π° Π΄Π° Ρ‡ΠΈΡ‚Π°Ρ‚Π΅ Π½Π° ΡƒΡ€Π΅Π΄ΠΈ со Π΅-мастило, ΠΊΠ°ΠΊΠΎ ΡˆΡ‚ΠΎ сС Π΅-Ρ‡ΠΈΡ‚Π°Ρ‡ΠΈΡ‚Π΅ Kobo, ќС Ρ‚Ρ€Π΅Π±Π° Π΄Π° ΠΏΡ€Π΅Π·Π΅ΠΌΠ΅Ρ‚Π΅ Π΄Π°Ρ‚ΠΎΡ‚Π΅ΠΊΠ° ΠΈ Π΄Π° ја ΠΏΡ€Π΅Ρ„Ρ€Π»ΠΈΡ‚Π΅ Π½Π° ΡƒΡ€Π΅Π΄ΠΎΡ‚. Π‘Π»Π΅Π΄Π΅Ρ‚Π΅ Π³ΠΈ Π΄Π΅Ρ‚Π°Π»Π½ΠΈΡ‚Π΅ упатства Π²ΠΎ Π¦Π΅Π½Ρ‚Π°Ρ€ΠΎΡ‚ Π·Π° помош Π·Π° ΠΏΡ€Π΅Ρ„Ρ€Π»Π°ΡšΠ΅ Π½Π° Π΄Π°Ρ‚ΠΎΡ‚Π΅ΠΊΠΈΡ‚Π΅ Π½Π° ΠΏΠΎΠ΄Π΄Ρ€ΠΆΠ°Π½ΠΈ Π΅-Ρ‡ΠΈΡ‚Π°Ρ‡ΠΈ.