Controversies in Digital Ethics
Amber Davisson · Paul Booth
2/2016 · Bloomsbury Publishing USA
E‑kniha
320
Počet strán
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Táto e‑kniha
Controversies in Digital Ethics explores ethical frameworks within digital culture. Through a combination of theoretical examination and specific case studies, the essays in this volume provide a vigorous examination of ethics in a highly individualistic and mediated world. Focusing on specific controversies-privacy, surveillance, identity politics, participatory culture-the authors in this volume provide a roadmap for navigating the thorny ethical issues in new media.
Paul Booth and Amber Davisson bring together multiple writers working from different theoretical traditions to represent the multiplicity of ethics in the 21st century. Each essay has been chosen to focus on a particular issue in contemporary ethical thinking in order to both facilitate classroom discussion and further scholarship in digital media ethics. Accessible for students, but with a robust analysis providing contemporary scholarship in media ethics, this collection unites theory, case studies, and practice within one volume.
Paul Booth and Amber Davisson bring together multiple writers working from different theoretical traditions to represent the multiplicity of ethics in the 21st century. Each essay has been chosen to focus on a particular issue in contemporary ethical thinking in order to both facilitate classroom discussion and further scholarship in digital media ethics. Accessible for students, but with a robust analysis providing contemporary scholarship in media ethics, this collection unites theory, case studies, and practice within one volume.
O autorovi
Amber Davisson is an Assistant Professor of Communication at Keene State College, USA. She is the author of Lady Gaga and the Remaking of Celebrity Culture (2013). Her research on political communication in digital spaces has appeared in Rhetoric & Public Affairs, Journal of Media & Digital Literacy, Journal of Visual Literacy, and the American Communication Journal.
Paul Booth is a Professor of Communication at DePaul University, USA. He is the author of Digital Fandom: New Media Studies (2010), Time on TV: Temporal Displacement and Mashup Television (2012), Playing Fans: Negotiating Fandom and Media in the Digital Age (2015) and Game Play: Paratextuality in Contemporary Board Games (Bloomsbury, 2015). He is the editor of Fan Phenomena: Doctor Who (2013).
Paul Booth is a Professor of Communication at DePaul University, USA. He is the author of Digital Fandom: New Media Studies (2010), Time on TV: Temporal Displacement and Mashup Television (2012), Playing Fans: Negotiating Fandom and Media in the Digital Age (2015) and Game Play: Paratextuality in Contemporary Board Games (Bloomsbury, 2015). He is the editor of Fan Phenomena: Doctor Who (2013).
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