How does one make sense of lossтАФpersonal and collective? When language and memory are at capacity, where do we turn? Confronted with тАЬa year meant to end all / those to come,тАЭ acclaimed poet Adam Clay questions whether anything is тАЬwide enough to contain whatтАЩs left / of hope.тАЭ In the absence of a clear way forward, the poems of Circle Back wander griefтАЩs strange and winding path. Along the way, the line between reality and dreams blurs: cows stare with otherworldly eyes, 78s play under cactus needles, a father becomes his own child, and the dead become something more complicatedтАФa тАЬsketch turned to painting / left in a room dusty from / lack of passing through.тАЭ
But amidst these liminal landscapes, a тАЬthread of promiseтАЭ persists in poetry. As flawed as language is, we still turn to it for longevity, for love, like тАЬKeats, / sketching himself back into place.тАЭ Vulnerable and nuanced, Clay details the difficult work of healingтАФand in doing so, captures those needful moments of reprieve in griefтАЩs тАЬstrange circle.тАЭ Two friends dashing through a sprinkler. A garden of startled birds. Out for a run some gray morning: a sudden patch of wildflowers. Circle Back is a bared heart, one readers will find as thoughtful as it is tender.
Adam Clay is the author of five collections of poems: Circle Back, To Make Room for the Sea, Stranger, A Hotel Lobby at the Edge of the World, and The Wash. His work has appeared in Boston Review, Ploughshares, Cincinnati Review, jubilat, Georgia Review,and elsewhere. A recipient of a Literary Arts Fellowship from the Mississippi Arts Commission, he teaches at the University of Southern Mississippi and edits Mississippi Review.