Creative Thinking: A Modern Artist's Notebook

· Christopher Hollins
4.6
5 reviews
Ebook
255
Pages
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About this ebook

What would Cézanne, Monet, Picasso, Kandinsky, and the other founders of modern art think of Damien Hirst's shark in formaldehyde or Tracey Emin's unmade bed. Has modern art moved on since the breakthroughs of these early pioneers or are we going round in circles? Has modern art merely become a carnival of the shocking, grotesque and ridiculous because modern artists have failed to comprehend what Modernism emerged to explore? Have modern artists become so intoxicated by the need for notoriety and celebrity status that they are no longer interested in the quest for a genuine art experience?

In this collection of essays, written between 1968 and 2010, C. J. Hollins reveals his thoughts on these questions in an unflinching attempt to open our eyes to the enigma of modern art. From early cave paintings and traditional masterpieces, Hollins explores the development of art, ending at the current crisis point of our times. More importantly, he offers concrete theories of what the modern artist should be striving to achieve to move us closer to a new way of perceiving the world.

Ratings and reviews

4.6
5 reviews
Phool Singh
May 4, 2025
Government. senior Teacher in Rajasthan my age 55 year those have been Genital Experience abaut my life
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Kandy Kirby
April 15, 2025
love it
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Moleseng God'swill
July 9, 2020
Beautiful
1 person found this review helpful
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About the author

Born in 1946 in Birmingham, England. Although he excelled at art in school he was considered a misfit and expelled at 15 with no formal qualifications. He was put to work on a factory production line, but, throughout this drudgery, his love of art sustained him, and he took up painting as a diversion. In 1968 he went to a retrospective exhibition of the work of the abstract expressionist artist Hans Hartung that opened his eyes to the ability of an object to provoke recall of an old inherent way of looking at the world. He walked out of his factory job and went to London but no one showed any interest in his unconventional work. After many years of struggling he moved to Whitby, North Yorkshire, to pursue his ideas in solitude. 

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