In this collection of essays, written between 1968 and 2010, C. J. Hollins reveals his thoughts on these questions in an unflinching attempt to open our eyes to the enigma of modern art. From early cave paintings and traditional masterpieces, Hollins explores the development of art, ending at the current crisis point of our times. More importantly, he offers concrete theories of what the modern artist should be striving to achieve to move us closer to a new way of perceiving the world.
Born in 1946 in Birmingham, England. Although he excelled at art in school he was considered a misfit and expelled at 15 with no formal qualifications. He was put to work on a factory production line, but, throughout this drudgery, his love of art sustained him, and he took up painting as a diversion. In 1968 he went to a retrospective exhibition of the work of the abstract expressionist artist Hans Hartung that opened his eyes to the ability of an object to provoke recall of an old inherent way of looking at the world. He walked out of his factory job and went to London but no one showed any interest in his unconventional work. After many years of struggling he moved to Whitby, North Yorkshire, to pursue his ideas in solitude.