Bunner Sisters: American Literature
About this ebook
I
In the days when New York's traffic moved at the pace of the drooping horse-car, when society applauded Christine Nilsson at the Academy of Music and basked in the sunsets of the Hudson River School on the walls of the National Academy of Design, an inconspicuous shop with a single show-window was intimately and favourably known to the feminine population of the quarter bordering on Stuyvesant Square.
It was a very small shop, in a shabby basement, in a side-street already doomed to decline; and from the miscellaneous display behind the window-pane, and the brevity of the sign surmounting it (merely "Bunner Sisters" in blotchy gold on a black ground) it would have been difficult for the uninitiated to guess the precise nature of the business carried on within. But that was of little consequence, since its fame was so purely local that the customers on whom its existence depended were almost congenitally aware of the exact range of "goods" to be found at Bunner Sisters'.
The house of which Bunner Sisters had annexed the basement was a private dwelling with a brick front, green shutters on weak hinges, and a dress-maker's sign in the window above the shop. On each side of its modest three stories stood higher buildings, with fronts of brown stone, cracked and blistered, cast-iron balconies and cat-haunted grass-patches behind twisted railings. These houses too had once been private, but now a cheap lunchroom filled the basement of one, while the other announced itself, above the knotty wistaria that clasped its central balcony, as the Mendoza Family Hotel. It was obvious from the chronic cluster of refuse-barrels at its area-gate and the blurred surface of its curtainless windows, that the families frequenting the Mendoza Hotel were not exacting in their tastes; though they doubtless indulged in as much fastidiousness as they could afford to pay for, and rather more than their landlord thought they had a right to express.
About the author
Edith Wharton (January 24, 1862 – August 11, 1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930. Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt.
Despite not publishing her first novel until she was forty, Wharton became an extraordinarily productive writer. In addition to her fifteen novels, seven novellas, and eighty-five short stories, she published poetry, books on design, travel, literary and cultural criticism, and a memoir.
Wharton first began inventing stories when she was six. She would walk around the living room holding a book while reciting her story. In 1873, Wharton wrote a short story and gave it to her mother to read. Her mother criticized the story, so Wharton decided to just write poetry. While she constantly sought her mother's approval and love, it was rare that she received either. From the start, the relationship with her mother was a troubled one. Before she was fifteen, she wrote Fast and Loose (1877). In her youth, she wrote about society. Her central themes came from her experiences with her parents. She was very critical of her own work and would write public reviews criticizing it. She also wrote about her own experiences with life. “Intense Love’s Utterance” is a poem written about Henry Stevens.
In 1889, she sent out three poems for publication. They were sent to Scribner’s, Harper’s and Century. Edward L. Burlingame published “The Last Giustiniani” for Scribner’s. It was not until Wharton was 29 that her first short story was published. "Mrs. Manstey's View" had very little success, and it took her more than a year to publish another story. She completed "The Fullness of Life" following her annual European trip with Teddy. Burlingame was critical of this story but Wharton did not want to make edits to it. This story, along with many others, speaks about her marriage. She sent Bunner Sisters to Scribner’s in 1892. Burlingame wrote back that it was too long for Scribner’s to publish. This story is believed to be based on an experience she had as a child. It did not see publication until 1916 and is included in the collection called Xingu. After a visit with her friend, Paul Bourget, she wrote “The Good May Come” and “The Lamp of Psyche”. “The Lamp of Psyche” was a comical story with verbal wit and sorrow. After “Something Exquisite” was rejected by Burlingame, she lost confidence in herself. She started “travel writing” in 1894.
