Blue Movie

· Open Road Media
3.8
129 則評論
電子書
255
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A darkly hilarious, wildly erotic satire of Hollywood from "the only author capable of handling mayhem on a gigantic scale" ( Esquire).

King B., the world's most admired filmmaker—winner of a string of Oscars and awards from Cannes to Venice—takes on a new project: the most expensive, star-studded, high-quality, X-rated film ever made. He joins forces with producer Sid Krassman, who's made a fortune with B movies, and Angela Sterling, a misunderstood sex symbol who longs to do "serious" work. After convincing the principality of Liechtenstein to host the production in exchange for a distribution exclusive to boost tourism, King B. and Krassman arrive with cast and crew to make The Faces of Love. While keeping the nature of the film secret from American bankers, King B. lines up a host of European and American big-name stars. But word leaks out to the local religious groups and possibly even the Vatican. Between the Cardinal's attempts to sabotage production and the big egos and even bigger libidos behind the scenes, the enterprise plummets into hilarious anarchy.

Blue Movie is comic eroticism at its best—populated by over-the-top characters, memorable dialogue, and perverse vignettes, and colored by razor-sharp insights into the film industry.

This ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author's estate.

評分和評論

3.8
129 則評論

關於作者

Terry Southern (1924–1995) was an American author and screenwriter. His satirical novels—including the bestselling cult classics Candy (1958) and The Magic Christian (1959)—established Southern as one of the leading literary voices of the sixties. He was also nominated for Academy Awards for his screenplays of Dr. Strangelove (written with Stanley Kubrick and Peter George) and Easy Rider (written with Peter Fonda and Dennis Hopper). His other books include Flash and Filigree (1958), Red-Dirt Marijuana and Other Tastes (1967), Blue Movie (1970), and Texas Summer (1991). In later years, he wrote for Saturday Night Live and lectured on screenwriting at New York University and Columbia University.

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