Beauty and the Beast
2012 āļĸāˇāļŊāˇ ¡ University of Chicago Press
4.0star
āˇāļ¸āˇāļŊāˇāļ āļą 3āļāˇreport
āļ-āļ´āˇāļ
184
āļ´āˇāļ§āˇ
family_home
āˇāˇāļ¯āˇāˇāˇāļāļ¸āˇ āļŊāļļāļēāˇ
info
reportāļāļāļēāˇāļ¸āˇ āˇāˇ āˇāļ¸āˇāļŊāˇāļ āļą āˇāļāˇâāļēāˇāļ´āļąāļē āļāļģ āļąāˇāļ āˇāˇāļŠāˇāļ¯āˇāļģ āļ¯āˇāļą āļāļąāˇāļą
āļ¸āˇāļ¸ āļ-āļ´āˇāļ āļāˇāļą
The celebrated anthropologist and author of The Corn Wolf examines the Colombian culture of plastic surgery and its surprising relationship to violence.
Â
Drawing on extensive fieldwork in Colombia, Michael Taussig scrutinizes the audacious and sometimes destructive attempts people make to transform their bodies through cosmetic surgery and liposuction. He balances an examination of surgeries meant to enhance an individualâs beauty with their often-overlooked counterparts, surgeries performedâoften on high profile criminalsâto disguise oneâs identity. Exploring this global phenomenon through Colombiaâs economic, cultural, and political history, Taussig links the countryâs long civil war and history of torture to the beauty industry at large, sketching Colombia as a country whose high aesthetic stakes make it a staging ground for some of the most important and problematic ideas about the body.
Central to Taussigâs examination is George Batailleâs notion of depense, or âwasting.â While depense is often used as a critique, Taussig also looks at its position as a driving economic force. Depense, he argues, is precisely what these procedures are about, and the beast on the other side of beauty should not be dismissed as simple recompense. At once theoretical and colloquial, public and intimate, Beauty and the Beast is a true-to-place ethnography that tells a layered story about the lengths to which people will go to be physically remade.
Â
Drawing on extensive fieldwork in Colombia, Michael Taussig scrutinizes the audacious and sometimes destructive attempts people make to transform their bodies through cosmetic surgery and liposuction. He balances an examination of surgeries meant to enhance an individualâs beauty with their often-overlooked counterparts, surgeries performedâoften on high profile criminalsâto disguise oneâs identity. Exploring this global phenomenon through Colombiaâs economic, cultural, and political history, Taussig links the countryâs long civil war and history of torture to the beauty industry at large, sketching Colombia as a country whose high aesthetic stakes make it a staging ground for some of the most important and problematic ideas about the body.
Central to Taussigâs examination is George Batailleâs notion of depense, or âwasting.â While depense is often used as a critique, Taussig also looks at its position as a driving economic force. Depense, he argues, is precisely what these procedures are about, and the beast on the other side of beauty should not be dismissed as simple recompense. At once theoretical and colloquial, public and intimate, Beauty and the Beast is a true-to-place ethnography that tells a layered story about the lengths to which people will go to be physically remade.
āļāļāļēāˇāļ¸āˇ āˇāˇ āˇāļ¸āˇāļŊāˇāļ āļą
4.0
āˇāļ¸āˇāļŊāˇāļ āļą 3āļāˇ
āļāļģāˇāļāˇ āļ´āˇāˇ āˇāļļāļŗ
Michael Taussig is the Class of 1933 Professor of Anthropology at Columbia University. He is the author of many books, includingI Swear I Saw This, Walter Benjaminâs Grave, and My Cocaine Museum, all published by the University of Chicago Press.
āļ¸āˇāļ¸ āļ-āļ´āˇāļ āļ āļāļēāļąāˇāļą
āļāļļ āˇāˇāļāļą āļ¯āˇāļē āļ
āļ´āļ§ āļāˇāļēāļąāˇāļą.
āļāˇāļēāˇāˇāļ¸āˇ āļāˇāļģāļāˇāļģāˇ
āˇāˇāļ¸āˇāļģāˇāļ§āˇ āļ¯āˇāļģāļāļŽāļą āˇāˇ āļ§āˇāļļāˇāļŊāļ§āˇ
Android āˇāˇ iPad/iPhone āˇāļŗāˇāˇ Google Play āļ´āˇāļāˇ āļēāˇāļ¯āˇāļ¸ āˇāˇāļŽāˇāļ´āļąāļē āļāļģāļąāˇāļą. āļāļē āļāļļāˇ āļāˇāļĢāˇāļ¸ āˇāļ¸āļ āˇāˇāˇāļēāļāļāˇâāļģāˇāļēāˇ āˇāļ¸āļ¸āˇāˇāˇāļģāˇāļ āļāļģāļą āļ
āļāļģ āļāļļāļ§ āļāļąāˇāļ¸ āļāˇāļąāļ āˇāˇāļ§ āˇāļļāˇāļŗāˇāˇ āˇāˇ āļąāˇāļļāˇāļŗāˇāˇ āļāˇāļēāˇāˇāļ¸āļ§ āļāļŠ āˇāļŊāˇāļēāˇ.
āļŊāˇāļ´āˇāļ§āˇāļ´āˇ āˇāˇ āļ´āļģāˇāļāļĢāļ
āļāļļāļ§ āļāļļāˇ āļ´āļģāˇāļāļĢāļāļēāˇ āˇāˇāļļāˇ āļļāˇâāļģāˇāˇāˇāļģāļē āļˇāˇāˇāˇāļāļēāˇāļąāˇ Google Play āļ¸āļ āļ¸āˇāļŊāļ¯āˇ āļāļāˇ āˇāˇâāļģāˇāˇâāļēāļ´āˇāļāˇāˇāļŊāļ§ āˇāˇāļąāˇ āļ¯āˇāļē āˇāˇāļ.
eReaders āˇāˇ āˇāˇāļąāļāˇ āļāļ´āˇāļāļ
Kobo eReaders āˇāˇāļąāˇ e-ink āļāļ´āˇāļāļ āļ´āˇāˇ
āˇāļļāļŗ āļāˇāļēāˇāˇāļ¸āļ§, āļāļļ āˇāˇāˇāˇāļąāˇ āļāˇāļąāˇāˇāļāˇ āļļāˇāļāˇāļą āļāļļāˇ āļāļ´āˇāļāļāļēāļ§ āļāļē āļ¸āˇāļģāˇ āļāˇāļģāˇāļ¸ āˇāˇāļ¯āˇ āļāˇ
āļēāˇāļāˇ āˇāˇ. āļāļ°āˇāļģāļāļģāˇ āļ-āļāˇāļēāˇāļąāļēāļ§ āļāˇāļąāˇ āļ¸āˇāļģāˇ āļāˇāļģāˇāļ¸āļ§ āˇāˇāˇāˇāļāļģāˇāļāˇāļ¸āļ āļāļ¯āˇāˇ āļ¸āļ°āˇâāļēāˇāˇāļŽāˇāļą āļāļ´āļ¯āˇāˇāˇ āļ
āļąāˇāļāļ¸āļąāļē āļāļģāļąāˇāļą.
