Beatrice & Virgil
2010. g. apr. · Knopf Canada
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Yann Martel’s astonishing novel begins with a successful writer attempting to publish his latest book, made up of a novel and an essay. Henry plans for it to be a “flip book” that the reader can start at either end, reading the novel or the essay first, because both pieces are equally concerned with representations of the Holocaust. Faced with severe and categorical rejection, Henry gives up hope. He abandons writing, moves with his wife to a foreign city, joins a community theatre, becomes a waiter in a chocolatería. But then he receives a package containing a scene from a play, photocopies from a short story by Flaubert—about a man who hunts animals down relentlessly—and a short note: “I need your help.”
Intrigued, Henry tracks down his correspondent, and finds himself in a strange part of the city, walking past a stuffed okapi into a taxidermist’s workshop. The taxidermist—also named Henry—says he has been working on his play, A 20th-Century Shirt, for most of his life, but now he needs Henry’s help to describe his characters: the play’s protagonists are a stuffed donkey and a howler monkey named Beatrice and Virgil, respectively, and Henry’s successful book was in part about animals. And though his new acquaintance is austere, abrupt and almost unearthly, Henry the writer is drawn more and more deeply into Henry the taxidermist’s uncompromising world.
Beatrice & Virgil gradually grows into something more, a shattering and ultimately transfixing work that asks searching questions about the nature of our understanding of history, the meaning of suffering and the value of art. As we are drawn deeper into their disturbing moral fable, the relationship between the two faltering writers named Henry becomes more and more complex until it can only be resolved in an explosive, unexpected catastrophe.
Intrigued, Henry tracks down his correspondent, and finds himself in a strange part of the city, walking past a stuffed okapi into a taxidermist’s workshop. The taxidermist—also named Henry—says he has been working on his play, A 20th-Century Shirt, for most of his life, but now he needs Henry’s help to describe his characters: the play’s protagonists are a stuffed donkey and a howler monkey named Beatrice and Virgil, respectively, and Henry’s successful book was in part about animals. And though his new acquaintance is austere, abrupt and almost unearthly, Henry the writer is drawn more and more deeply into Henry the taxidermist’s uncompromising world.
Beatrice & Virgil gradually grows into something more, a shattering and ultimately transfixing work that asks searching questions about the nature of our understanding of history, the meaning of suffering and the value of art. As we are drawn deeper into their disturbing moral fable, the relationship between the two faltering writers named Henry becomes more and more complex until it can only be resolved in an explosive, unexpected catastrophe.
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YANN MARTEL is the author of Life of Pi, the #1 international bestseller published in more than 50 territories that has sold more than 12 million copies worldwide, won the 2002 Booker (among many other prizes), spent more than a year on Canadian and international bestseller lists, and was adapted to the screen in an Oscar-winning film by Ang Lee. He is also the award-winning author of The Facts Behind the Helsinki Roccamatios (which won the Journey Prize), Self, Beatrice & Virgil, and a book of recommended reading: 101 Letters to a Prime Minister. Born in Spain in 1963, he studied philosophy at Trent University, worked at odd jobs and travelled widely before turning to writing. In 2021 he was appointed a Companion of the Order of Canada. He lives in Saskatoon with the writer Alice Kuipers and their four children.
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