關於本電子書
Ornament in its primitive manifestations is geometrical rather than naturalistic. This is in a manner strange, that the abstract and metaphysical thing should precede the concrete and sensuous. -from "The World Order" One of the most respected philosophers of architecture in the early 20th century, Bragdon here makes a plea to his fellow architects and the public at large to choose organic designs for public structures, and to reject the abstract modern architecture coming into vogue in the post World War I period. Examining building design on either side of the great, modernizing divide of the war, he argues for a softer, more human aesthetic, and offers numerous "imaginary compositions," the products of his own fanciful yet logical creativity, to illustrate his points. First published in 1918, this highly readable volume has much to contribute to today's discourse on how to organize the public realm. Other works by Bragdon available from Cosimo Classics: More Lives Than One, The Beautiful Necessity, Episodes from An Unwritten History, and A Primer of Higher Space (The Fourth Dimension). American architect, stage designer, and writer CLAUDE FAYETTE BRAGDON (1866-1946) helped found the Rochester Architectural Club, in the city where he made his greatest mark as a building designer with structures including Rochester Central Station, Rochester Institute of Technology, and the First Universalist Church; he also designed Peterborough Bridge in Ontario. In later life, Bragdon worked on Broadway as scenic designer for 1930s productions of Cyrano de Bergerac and Hamlet, among others.
為這本電子書評分
歡迎提供意見。
閱讀資訊
智慧型手機與平板電腦
筆記型電腦和電腦
你可以使用電腦的網路瀏覽器聆聽你在 Google Play 購買的有聲書。
電子書閱讀器與其他裝置
如要在 Kobo 電子閱讀器這類電子書裝置上閱覽書籍，必須將檔案下載並傳輸到該裝置上。請按照說明中心的詳細操作說明，將檔案傳輸到支援的電子閱讀器上。
