After Dark, My Sweet
2010. g. jūl. · Hachette UK
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Par šo e-grāmatu
'A blisteringly imaginative crime novelist...violent, amoral, terse and fast-moving...a classic American novelist' Kirkus Reviews
Bill Collins is young, good looking, agile and strong, but he's a drifter with mild multiple neuroses, in and out of institutions, and dangerously violent on occasion.
When he gets involved with the hard-drinking Fay Anderson and the deceptively pleasant ex-police officer everyone knows as Uncle Bud in a ruthless kidnap plot, everything goes to hell in a hurry, and the end, for Bill, is inevitable and shattering. This is a tour de force of paranoia and violence from the master of the crime noir novel.
Bill Collins is young, good looking, agile and strong, but he's a drifter with mild multiple neuroses, in and out of institutions, and dangerously violent on occasion.
When he gets involved with the hard-drinking Fay Anderson and the deceptively pleasant ex-police officer everyone knows as Uncle Bud in a ruthless kidnap plot, everything goes to hell in a hurry, and the end, for Bill, is inevitable and shattering. This is a tour de force of paranoia and violence from the master of the crime noir novel.
Par autoru
Jim Thompson (1906-1977) was born in Anadarko, Oklahoma. After an itinerant childhood during which his sheriff father was driven from office for embezzlement, and as a roughneck in the Texan oil fields of the 1920s, Thompson became successful as a writer with the pulp fiction houses of the 1950s, writing a dozen of his more enduring novels in just 19 months. Among his many novels are THE KILLER INSIDE ME, THE GRIFTERS, THE GETAWAY and AFTER DARK, MY SWEET. He also wrote two screenplays (for the Stanley Kubrick films THE KILLING and PATHS OF GLORY). POP. 1280 was an acclaimed French film under the title COUP DE TORCHON.
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