A Ghostly Gallery

· Hachette UK
ای بک
240
صفحات
اہل ہے
درجہ بندیوں اور جائزوں کی تصدیق نہیں کی جاتی ہے  مزید جانیں

اس ای بک کے بارے میں

The stories in A Ghostly Gallery were written over a period of sixty years, the whole length of Joan Aiken's writing career; some appeared in her very first collections of what her father Conrad Aiken called "Twentieth century Fairy stories for the young of all ages."


Stories include A Roomful of Leaves, where a boy escapes an unbearable family and disappears into the Elizabethan past, and the luminously uplifting Watkyn Comma about a ghost mouse who rescues a lonely heroine. These stories often inspired by dreams and myths are written to comfort and console. Some appeared in anthologies, such as a Pan Ghost Book, or in her own collections for younger readers, which came out in England and America. As she moved away from overtly scary stories towards the end of her life, these are her gentler tales of mystery and imagination.

Two of the stories have not previously appeared in an Aiken collection.
Dancing in the Air, and Lungewater

مصنف کے بارے میں

Joan Aiken, English-born daughter of American poet Conrad Aiken, began her writing career in the 1950s. Working for Argosy magazine as a copy editor but also as the anonymous author of articles and stories to fill up their pages, she was adept at inventing a wealth of characters and fantastic situations, and went on to produce hundreds of stories for Good Housekeeping, Vogue, Vanity Fair and many other magazines. Some of those early stories became novels, such as The Silence of Herondale, first published fifty years ago in 1964. Although her first agent famously told her to stick to short stories, saying she would never be able to sustain a full-length novel, Joan Aiken went on to win the Guardian Children's Fiction Prize for The Whispering Mountain, and the Edgar Alan Poe award for her adult novel Night Fall. Her best known children's novel, The Wolves of Willoughby Chase, was acclaimed by Time magazine as 'a genuine small masterpiece'. In 1999 she was awarded an MBE for her services to children's literature, and although best known as a children's writer, Joan Aiken wrote many adult novels, both modern and historical, with her trademark wit and verve. Many have a similar gothic flavour to her children's writing, and were much admired by readers and critics alike. As she said 'The only difference I can see is that children's books have happier endings than those for adults.' You have been warned . . .

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