How to Win at Feminism: The Definitive Guide to Having It All--And Then Some!
About this audiobook
Feminism is all about demanding equality and learning to love yourself. But not too much — men hate that! From the writers of Reductress, the subversive, satirical women’s magazine read by over 2.5 million visitors a month, comes HOW TO WIN AT FEMINISM: The Definitive Guide to Having It All—And Then Some!
This ultimate guide to winning feminism—filled with four-color illustrations, bold graphics, and hilarious photos—teaches readers how to battle the patriarchy better than everybody else. From the herstory of feminism to how to apologize for having it all, readers will learn how to be a feminist at work and at home with tips that include:
- How to Do More with 33 Cents Less
- How to Be Sex-Positive Even When You’re Bloated
- How to Love Your Body Even Though Hers Is Better
- The 9 Circles of Hell for Women Who Don’t Help Other Women
- Designer Handbags to Hold All Your Feminism
- How to Get Catcalled For Your Personality
HOW TO WIN AT FEMINISM is a fresh take on women's rights through the lens of the funniest women in comedy today. With this book as your wo-manual, you’ll shatter that glass ceiling once and for all (but you’ll still need to clean up the mess).
BONUS CONTENT- Join Mouth Time podcast hosts Quenn and Div after the audiobook for a short sesh about books and writing.
About the author
Sarah Pappalardo is the co-founder and managing editor of Reductress, and a writer, performer and playwright living in Brooklyn. Born in Boston and raised in the wilds of New Hampshire, she has written and performed at IO Chicago, The Second City, and the Magnet Theater, and The Upright Citizens Brigade. She was previously an artistic associate for the Chicago-based Bare Boned Theatre, and her plays have since been performed in front of tiny audiences throughout Chicago, New York, and Philadelphia. With brief stints as an advertising producer and copywriter, Sarah has also learned to have a healthy love-hate relationship with the media landscape and working in general.
