關於本電子書
The author of Blitz and the author of the Jesse Stone novels collaborate on a “rough and profane read” about two childhood friends who become criminals (Daniel Woodrell).
Nick’s Irish-American father, a Brooklyn rent-a-cop working security in the World Trade Center’s North Tower, named him after a Hemingway hero. The old man must have been expecting a different kind of kid. Because, like the R&B song says, Nick was born under a bad sign. As aimless as a stray bullet, his only constants are ’Nam movies, pulp novels, and an unquestioning devotion to his childhood friend, Todd, a Jewish New York con artist with connections to the Boston mob.
When Todd inducts Nick into his world of petty crime, it starts with reckless fun—scoring weed, low-level stings, and burglary. But the deeper they sink into the world of the syndicate, the more they realize how unknowable a friend can be, and how unprepared they are to rescue themselves, and their souls, from the gutter.
Alternately telling this “brutally poetic” story from the perspectives of Nick and Todd, award-winning “noir masters” Ken Bruen and Reed Farrel Colemen “shine, dropping in-jokes, experimenting and displaying all the literary chops that have made their novels such cult favorites among mystery fans” (Publishers Weekly).
Nick’s Irish-American father, a Brooklyn rent-a-cop working security in the World Trade Center’s North Tower, named him after a Hemingway hero. The old man must have been expecting a different kind of kid. Because, like the R&B song says, Nick was born under a bad sign. As aimless as a stray bullet, his only constants are ’Nam movies, pulp novels, and an unquestioning devotion to his childhood friend, Todd, a Jewish New York con artist with connections to the Boston mob.
When Todd inducts Nick into his world of petty crime, it starts with reckless fun—scoring weed, low-level stings, and burglary. But the deeper they sink into the world of the syndicate, the more they realize how unknowable a friend can be, and how unprepared they are to rescue themselves, and their souls, from the gutter.
Alternately telling this “brutally poetic” story from the perspectives of Nick and Todd, award-winning “noir masters” Ken Bruen and Reed Farrel Colemen “shine, dropping in-jokes, experimenting and displaying all the literary chops that have made their novels such cult favorites among mystery fans” (Publishers Weekly).
關於作者
Ken Bruen (b. 1951) is one of the most prominent Irish crime writers of the last two decades. He has two long-running series: one starring a disgraced former policeman named Jack Taylor, the other a London police detective named Inspector Brant. Praised for their sharp insight into the darker side of today’s prosperous Ireland, Bruen’s novels are marked by grim atmosphere and clipped prose. Among the best known are his White Trilogy (1998–2000) and The Guards (2001), the Shamus award–winning first novel in the Jack Taylor series. Bruen lives and works in Galway. Reed Farrel Coleman (b. 1956) is a mystery author best known for creating the Moe Prager series. Under his own name and the pen name Tony Spinosa, he has published fourteen novels, beginning with Life Goes Sleeping (1991), which introduced the three-volume Dylan Klein series. In 2001, Coleman published Walking the Perfect Square, a gritty story about Moe Prager, a retired New York cop who becomes embroiled in the hunt for a missing college student. Since then, he has written six more novels starring Prager, most recently Hurt Machine (2011). Coleman has won three Shamus awards in the best detective novel category, and has been nominated twice for Edgar awards. His short fiction has been published widely, most recently in the collection Long Island Noir (2012). Coleman lives with his family on Long Island, where he teaches writing classes at Hofstra University.
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