Logos of Phenomenology and Phenomenology of the Logos. Book Five: The Creative Logos. Aesthetic Ciphering in Fine Arts, Literature and Aesthetics

Enjoyment: From Laughter to Delight in Philosophy, Literature, the Fine Arts, and Aesthetics

Sharing Poetic Expressions: Beauty, Sublime, Mysticism in Islamic and Occidental Culture

The Moral Sense and its Foundational Significance: Self, Person, Historicity, Community: Phenomenological Praxeology and Psychiatry

Creative Virtualities in Human Self-Interpretation-in-Culture: Phenomenology of Life and the Human Creative Condition (Book IV)

Logos of Phenomenology and Phenomenology of the Logos. Book One: Phenomenology as the Critique of Reason in Contemporary Criticism and Interpretation

The Reincarnating Mind, or the Ontopoietic Outburst in Creative Virtualities: Harmonisations and Attunement in Cognition, the Fine Arts, Literature Phenomenology of Life and the Human Creative Condition (Book II)

Man’s Self-Interpretation-in-Existence: Phenomenology and Philosophy of Life Introducing the Spanish Perspective

The Enigma of Good and Evil: The Moral Sentiment in Literature

Logos of Phenomenology and Phenomenology of The Logos. Book Four: The Logos of Scientific Interrogation, Participating in Nature-Life-Sharing in Life

Life Creative Mimesis of Emotion: From Sorrow to Elation: Elegiac Virtuosity in Literature

The Elemental Passion for Place in the Ontopoiesis of Life: Passions of the Soul in the Imaginatio Creatrix

Islamic Philosophy and Occidental Phenomenology on the Perennial Issue of Microcosm and Macrocosm

The Moral Sense in the Communal Significance of Life: Investigations in Phenomenological Praxeology: Psychiatric Therapeutics, Medical Ethics und Social Praxis Within the Life- and Communal World

Reason, Life, Culture: Part I Phenomenology in the Baltics

Phenomenology of Life and the Human Creative Condition: Book I Laying Down the Cornerstones of the Field

Ingardeniana III: Roman Ingarden’s Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature

The Logic of the Living Present: Experience, Ordering, Onto-Poiesis of Culture